[No title] | Gwaith Celf | Celf ar y Cyd

Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis

Gosodiadau

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

Derbyn

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

Derbyn

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

Derbyn

Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

JOHN, Gwen

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 15675

Creu/Cynhyrchu

Bu Gwen John yn mynychu Ysgol Gelfyddyd Gain y Slade yn Llundain rhwng 1895 a 1898, a bu'n astudio am gyfnod byr ym Mharis. Ym 1903, aeth gyda Dorelia McNeill ar daith gerdded trwy Ffrainc. Erbyn dechrau 1904, roedd wedi ymsefydlu ym Mharis. | Gwen John attended the Slade School of Fine Art in London between 1895 and 1898, and studied briefly in Paris. In 1903, she accompanied Dorelia McNeill on a walking tour through France. By the beginning of 1904, she had settled in Paris.

Rôl: Artist

Derbyniad

Purchase, 29/7/1976

Mesuriadau

Uchder (cm): 25.4

Lled (cm): 20.9

Techneg

Charcoal on paper

Drawings and watercolours

Fine Art - works on paper

Deunydd

Charcoal

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

WILLIAMS, Penry

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

HOUTHUESEN, Albert

(1935)

© Albert Houthuesen/Amgueddfa Cymru

Amgueddfa Cymru

HODKINSON, W. B.

(1877)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

CLOUGH, Prunella

(1945)

© Ystâd Prunella Clough. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

DYER, John

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1968 ca)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1970 ca)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

JONES, David

(1930)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>see title</p>

JONES, David

(1927)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

DENT, R. Stanley

(1935)

© R. Stanley Dent/Amgueddfa Cymru

Amgueddfa Cymru

EDWARDS, Pryce Carter

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

BILL, Simon

(2008)

© Simon Bill/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1973-1974)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

EDWARDS, Joseph

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: LIST, Herbert

(2016)

© Herbert List / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Hwfa Môn was the name taken by the Anglesey-born poet and independent minister, Rowland Williams (1823-1905), when he was invested as a Bard in 1849. In 1894 he was elected Archdruid, head of the Gorsedd of Bards. Originally from Bavaria, Herkomer settled in Britain and had a lifelong loyalty to Wales. He much admired the bardic traditions and was closely involved in the National Eisteddfod of Wales, the annual festival of Welsh culture, over which the Gorsedd presided. This interest may have been sparked by his second and third wives, the sisters Lulu and Margaret Griffiths, who were Welsh. </p> <p>This portrait was made during the 1895 Eisteddfod at Llanelli at which Herkomer awarded the prizes in the art section. He wrote a short article in The Graphic following his visit, in which he objected to the costumes of the Gorsedd. He thought they needed 'overhauling' and could be made 'not only picturesque but archaeologically correct'. He subsequently designed new ones, which were used at the 1897 Newport Eisteddfod. This drawing was reproduced as a lithograph to accompany The Graphic article. Herkomer also produced an extraordinary finished watercolour of the same sitter, which is now in the Forbes Magazine collection, New York.</p> <p>An 1894 photograph shows the Archdruid (Clwydfardd) wearing the mitre worn by Hwfa Mon in this drawing. HM appears in another photograph in the same old costume at Llandudno National Eisteddfod in 1896. The new costume designed by Herkomer was first worn by HM in the proclomation ceremony for the Newport National Eisteddfod, August 1896.</p> <p>NMWA 3708 was reproduced as a lithograph in`The Graphic', 10 August 1895, p. 160, the opposite page (161) reproduces another Herkomer portrait of "Gurnos" Jones, conductor of the Welsh Eisteddfod. </p> <p>Hubert von Herkomer, `Hwfa Mon, Archdruid of Wales' 1896, watercolour, Forbes Magazine Collection, New York (P79177-W), in a white and gold frame designed by the artist.</p> <p>Source: Victorian Visions 2004-05 catalogue entry by Beth McIntyre</p>

HERKOMER, Sir Hubert von

(1895)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: CAPA Robert

(1964)

Trwy ganiatâd Amgueddfa Cymru