[No title] | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Nesaf

[No title]

JACKSON, Thomas Graham

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 16097

Creu/Cynhyrchu

JACKSON, Thomas Graham

Rôl: Artist

Derbyniad

Purchase, 1/10/1928

Mesuriadau

Uchder (cm): 25.6

Lled (cm): 36.2

Uchder (in): 10

Lled (in): 14

Techneg

Watercolour and pencil on paper

Deunydd

Watercolour

Pencil

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

PRENDERGAST, Peter

© Ystâd Peter Prendergast. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>

FINNEMORE, Peter

(2019)

© Peter Finnemore/Amgueddfa Cymru

Amgueddfa Cymru

HOYLAND, John

(1989)

© Ystâd John Hoyland. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus (after)

(20th century)

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

SCHOONHOVEN, Jan

(1976)

© Jan Schoonhoven. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

SCHOONHOVEN, Jan

(1976)

© Jan Schoonhoven. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

MAYNARD, R.A. BRAY, H.W.

(1925)

© R.A. Maynard/Amgueddfa Cymru

Amgueddfa Cymru

HOARE, Sir Richard Colt

(1793)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SCHOONHOVEN, Jan

(1976)

© Jan Schoonhoven. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: SOBOL Jacob Aue

(2001)

© Jacob Aue Sobol / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

PISSARRO, Camille

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

PHILLIPS, Tom

(1970)

© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Paul, SANDBY,

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Mae Juno and the Paycock yn ddathliad llawen o liw. Mae’r cyfansoddiad cylchol yn denu’r llygad yn barhaus yn ôl at y delweddau haniaethol afieithus. Byddai gweithiau Gillian Ayres yn cael eu henwi gan ffrindiau a theulu ar ôl cael eu cynhyrchu. Mae teitl y gwaith yma, Juno and the Paycock, yn cyfeirio at ddrama dan yr un enw gan Seán O’Casey. Mae’r gair ‘paycock’ yn sillafiad o ynganiad ‘peacock’ mewn acen Wyddelig, ac mae’r ddelwedd yn y chwith uchaf yn y print yma’n debyg i batrwm plu paun.</p>

AYRES, Gillian

(1992)

© Ystâd Gillian Ayres/Amgueddfa Cymru

Amgueddfa Cymru

FREUD, Lucian

(1939-1940)

© Ystâd Lucian Freud. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

GREEN, Peter

(1960)

© Peter Green/Amgueddfa Cymru

Amgueddfa Cymru

STENNET, Michael

(1978)

© Michael Stennet/Amgueddfa Cymru