Hunan-bortread ar Garnedd Ddafydd | Gwaith Celf | Celf ar y Cyd

Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis

Gosodiadau

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

Derbyn

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

Derbyn

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

Derbyn

Gwaith Celf Blaenorol Gwaith Celf Nesaf

Hunan-bortread ar Garnedd Ddafydd

CHAMBERLAIN, Brenda

Awdur ac artist angerddol oedd Brenda Chamberlain. Ar adeg paentio’r hunanbortread hwn, roedd hi wedi ymgartrefu ym mynyddoedd y gogledd i fyw bywyd tawel a chreadigol. Mae’r ddelwedd hon sydd wedi’i llunio’n ofalus yn dangos gwraig bwrpasol a chryf ei meddwl, yn benderfynol o fod yn artist. Mae’r ystum pendant sy’n wynebu’r blaen a chefndir niwlog y dirwedd yn deillio o baentiadau’r Dadeni.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 2615

Creu/Cynhyrchu

CHAMBERLAIN, Brenda

1912-1971

Rôl: Artist

Cyfnod: 1938

Derbyniad

Gift, 1974

Mesuriadau

Uchder (cm): 30.4

Lled (cm): 30.4

Uchder (in): 11

Lled (in): 11

Techneg

Oil on canvas

Techniques (fine art)

Art dept - fine

Fine Art - painting

Deunydd

Oil

Canvas

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

WALTERS, Evan

(1936)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

CRAIG-MARTIN, Michael

(1985 ca)

© Michael Craig-Martin/Amgueddfa Cymru

Amgueddfa Cymru

<p>abstract shapes</p>

MARKEY, Peter

© Peter Markey/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

CRABTREE, Jack

Amgueddfa Cymru

Photographer: VINK, John

(1993)

© John Vink / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

FRANCIA, Peter de

(1964)

© Peter de Francia/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: DEWE MATHEWS Chloe

(2017)

© Chloe Dewe Mathews/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: SALGADO Sebastiao

(1988)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HUTCHINGS Roger

(1986)

© Roger Hutchings/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: GRUZDEVA Maria

(2010)

© Maria Gruzdeva/Amgueddfa Cymru

Amgueddfa Cymru

<p>Flowerhead</p>

MOORE, Leslie

(1962)

© Leslie Moore/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

CAULFIELD, Patrick

(1967)

© Ystâd Patrick Caulfield. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>The photograph was taken in the slate hills behind David Nash's house in Blaenau Ffestiniog. His photographs explore the Sublime in Nature. He uses an antique field camera and always works in black and white. Edition of 3.</p>

COOPER, Thomas Joshua

(1992)

© Thomas Joshua Cooper/Amgueddfa Cymru

Amgueddfa Cymru

SICKERT, Walter Richard

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

LLOYD JONES, Mary

(2000)

© Mary Lloyd Jones/Amgueddfa Cymru