[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

REDDICK, Peter

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 29439

Creu/Cynhyrchu

Rôl: Artist

Cyfnod: 1983

Derbyniad

Gift from the artist, 21/8/2009

Mesuriadau

h(cm) overall:19.6

h(cm)

w(cm) overall:24.6

w(cm)

h(cm) image size:13

h(cm)

w(cm) image size:18

w(cm)

Techneg

Wood engraving on paper

Wood engraving

Relief printing

Prints

Fine Art - works on paper

Deunydd

Wood engraving

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

HURN David

(1986)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: The Commando Memorial is a Category A listed monument in Scotland, dedicated to the men of the original British Commando Forces raised during World War II. Situated around a mile from Spean Bridge village, it overlooks the training areas of the Commando Training Depot established in 1942 at Achnacarry Castle.</p>

Photographer: HURN David

(1967)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Teulu’n dringo’r twyni, Rhosili, Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

SPENCER PRYSE, Gerard

(20th century - (first half))

© Gerald Spencer Pryse/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: SADLER Richard

(Unknown)

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>man in street</p>

DAVIES, Peter

(1975)

© Peter Davies/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: SEYMOUR David (Chim)

(2015)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>landscape</p>

ZOBOLE, Ernest

(1978)

© Manuel Zobole/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: RICHARDS, Eugene

(1993)

© Richards Eugene/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1964)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

WHISTLER, James Abbot McNeill

© Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

EDWARDS, Peter

(1998)

© Ystâd Peter Edwards. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

ARNATT, Keith

(1974-1976)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: HARTLEY Will

(Unknown)

Amgueddfa Cymru

Photographer: HURN David

(1963)

© David Hurn / Magnum Photos / Amgueddfa Cymru