Pot | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

Pot

Coper, Hans (Potter)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Pot, stoneware, deeply inset base, waisted lower section, barrel-shaped body, the upper half and inside covered in a shiny iron-rich amber glaze revealing below the rim and partially inside a clear glaze over white slip below, the lower half covered with off-white slip abraded and with some horizontal incisions.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 39124

Historical Associations

Association Type: Provenance

Date: 1981

Creu/Cynhyrchu

Rôl: Production

Rôl: Potter

Lle: Albion Mews, London

Cyfnod: 1950-1955

Derbyniad

Purchase - ass. of DWT, 16/3/2010

Mesuriadau

Uchder (cm): 14

diam (cm): 8.5

Uchder (in): 5

diam (in): 3

Techneg

Wheel-thrown

Forming

Applied Art

Abraded

Incised

Decoration

Applied Art

Deunydd

Stoneware

Slip

Glaze

Lleoliad

on display

Caiff Casgliadau Arlein ei ddiweddaru yn rheolaidd, ond gwnewch yn si’r bod eitem yn dal i gael ei arddangos cyn ymweld yn arbennig.

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Greenwood, Diana

(1996)

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1972)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

<p>Large platter, red earthenware body with white tin glaze, beaded rim, steep sides and foot ring; hand painted in an abstract style, the background is in dark blue, to the left side is a red and yellow crescent shape from which a light blue form protrudes, above and beneath which are three circles of varying sizes in green, brown and yellow.</p>

Production: HOYLAND, John

(1985)

© Ystâd John Hoyland. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Williamson, Alexander Hardie

(1948)

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1972)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

PIPER, John

© Ystâd Piper/DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>Lithograph- seven colours</p>

SUTHERLAND, Graham Vivian

(1979)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Gameboard, rectangular shape based on Royal Game of Ur. </p> <p>The original object was excavated from the Royal Cemetery in Ur in Iraq in c.1928 by Sir Leonard Woolley and is now held in the British Museum – Registration number 1928,1009.37. It was produced around 2600BC-2400BC. While there are interpretations there is still no clear way to play the game.</p> <p>In 2025 silversmith Will Romeril recreated the gameboard with 20 squares containing designs and information relating to facts and statistics found in government reports, service provider and economic data websites. Reflecting that the infrastructure of modern Britain is a game we don’t know how to play. Suitably titled: Royal Game of Urm...?</p> <p>Both the artefact in the British Museum and this artwork contains 18 pieces - 1 gameboard, 3 tetrahedral dice, and 14 player tokens.</p>

Metalworker: ROMERIL, William

(2025)

Amgueddfa Cymru

Delweddau ôl-drefedigaethol o ddynoliaeth

Production: McNicoll, Carol

(2000-2001)

© Carol McNicoll/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Floating cinerary jar with cover in orange-brown Etruria marl with visible inclusions, unglazed, the ground formed of a wooden base and back covered with buff-coloured Venetian plaster, the jar with a flat base and oval cross-section, tapering sides and flat shoulders with circular inset cover, the body has two evenly spaced, concentric, horizontal 'ribs' around its circumference, these have been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>

Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes

(2011)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Floating cinerary jar with cover in dark grey Petersen Tegl stoneware body with large grit inclusions, the ground formed of a wooden base and back covered with light grey Venetian plaster, the jar with a flat unglazed base and circular cross-section, tapering sides and flat shoulders with circular inset cover, the body has a single concentric, horizontal 'rib' around its circumference appproximately half way up the body, which has been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>

Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes

(2011)

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Philip, Eglin

(2010)

Amgueddfa Cymru

Bowl

Production: YARROW, Catherine

(1945 ca)

© Catherine Yarrow/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Flynn, Michael

(1996)

Amgueddfa Cymru

IRVIN, Albert

(1987)

© Ystâd Albert Irvin. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Floating cinerary jar with cover in white, glazed porcelain, the ground formed of a wooden base and back covered with very dark grey Venetian plaster, the jar with a flat unglazed base and broadly triangular cross-section, tapering sides and flat shoulders with circular inset cover, the body has two evenly spaced, concentric, horizontal 'ribs' around its circumference, these have been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>

Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes

(2011)

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru