Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis
Gosodiadau

Gosodiadau Cwcis

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

 

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

 

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

 
 
Gweld ein Polisi Cwcis
×

Image filter options
Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl i Ganlyniadau Gwaith Celf Blaenorol Gwaith Celf Nesaf

Boy in pain

BOSE, Fanindra Nat

Boy in pain
Delwedd: Trwy ganiatâd Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (3)

This figure of a naked youth stands on his right leg, his face is contorted with pain as he holds his raised left leg, bent at the knee. The source of the pain, a small crab, lies next to his right foot. The Indian sculptor, Bose, achieved exceptional success during his short lifetime, although he first had to travel to Scotland where he also receive Welsh support. During the nineteenth century, Indian art students were mainly taught through indoctrinated academic western systems. After attending the Calcutta Art School, Bose left India aged sixteen to further his education. Having failed to secure a place at an Italian or London academy, he was eventually offered a place at the Board of Manufacturers School of Art in Edinburgh. Here, he won several awards including a travel scholarship that allowed him to visit Paris and meet Rodin. His outstanding talents were clearly recognised by his examiners, including the Welsh sculptor, William Goscombe John. John was a keen supporter of Bose and purchased from him, Boy in Pain and The Hunter (also in AC-NMW collection). In 1926, just as the continuing Indian campaign for independence was gaining momentum, Bose was elected to the Scottish Royal Academy. During his acceptance speech, Bose claimed his honour was “proof […] that the Scottish people had no intention of restricting the legitimate aspirations of the people of India.”


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 287

Creu/Cynhyrchu

BOSE, Fanindra Nat

Derbyniad

Gift, 21/11/1928

Mesuriadau

Uchder (cm): 26.2
Lled (cm): 13
Dyfnder (cm): 10.4
Uchder (cm): 3.2
Lled (cm): 8.1
Dyfnder (cm): 8.1
Uchder (in): 10
Lled (in): 5
Dyfnder (in): 4
Uchder (in): 1
Lled (in): 3
Dyfnder (in): 3

Techneg

Bronze on marble base
Techniques (sculpture)
Fine Art - sculpture

Deunydd

Bronze
Marble

Lleoliad

In store
Mwy

Tags


  • Anaf
  • Bachgen
  • Bose, Fanindra Nat
  • Celf Gain
  • Cerflun
  • Gwryw Noeth, Dyn Noeth
  • Pysgod A Chreaduriaid Morol

Rhannu


Mwy fel hyn


Amgueddfa Cymru
The Whale Spewing Forth Jonah
JONES, David
Golden Cockerel Press
© Jonah Jones/Amgueddfa Cymru
Amgueddfa Cymru
The wounded Amazon
GIBSON, John
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Boy at play
JOHN, Sir William Goscombe
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Stilt Boy I
FORD, Laura
© *********/Amgueddfa Cymru
Amgueddfa Cymru
The Waters Compassed Me About
JONES, David
Golden Cockerel Press
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
Tailpiece I: Fish
JONES, David
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
Y Bachgen o Sgowt
JOHN, Sir William Goscombe
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Pesaro
Wedgwood, Josiah, and Sons Ltd
Bravi, Mirko
Amgueddfa Cymru
Tailpiece for "In Parenthesis"
JONES, David
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
Rom
EPSTEIN, Jacob
© Ystâd Sir Jacob Epstein/Tate/Amgueddfa Cymru
Amgueddfa Cymru
Dynion gyda Phowlen
GAUDIER-BRZESKA, Henri
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Boy at play
JOHN, Sir William Goscombe
Amgueddfa Cymru
Gathering lobster pots
HAYES, Edwin
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Fish design
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
A Bank Holiday
du MAURIER, G.L.P.B.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Fish
PARKER, A. Miller
© A. Miller Parker/Amgueddfa Cymru
Amgueddfa Cymru
Paris, France
ZACHMANN, Patrick
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
The Octopus
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
Lobster
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
Untitled
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru

  • Gweithiau Celf
  • Themâu
  • Projectau ac Arddangosfeydd
  • Erthyglau Cynfas
  • Dysgu

Y Wefan

  • Amdanom Ni
  • Mynediad
  • Cwestiynau cyffredin
  • Hawlfraint
  • Cwcis

CYSYLLTWCH Â Ni

  • Cysylltwch â ni
  • Instagram @celfarycyd
× ❮ ❯