Ring | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

Ring

Ramshaw, Wendy (Jeweller)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Ring, silver, broad flat shank, ornamented with a recessed band of grass green enamel and three narrower recessed rings of yellow, green and blue enamel, applied with a long baluster rod projecting at right angles to the shank, the centre similarly enamelled in yellow, terminating in a polished cabochon moonstone.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 50652

Creu/Cynhyrchu

born 1939

Rôl: Production

Rôl: Jeweller

Lle: London, England

Cyfnod: 1970-1971

Derbyniad

Purchase, 1974

Mesuriadau

Uchder (cm): 2.3

Meithder (cm): 4.8

Lled (cm): 2.1

Uchder (in): 7

Meithder (in): 1

Lled (in): 1

Techneg

Enamelled

Decoration

Applied Art

Deunydd

Silver

Semi-precious stones

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

(1966)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

FORAIN, Jean-Louis

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>

MOODY, Ronald Clive

(1937)

© The Ronald Moody Trust/Amgueddfa Cymru

Amgueddfa Cymru

EVANS, Merlyn

(1953)

© Merlyn Oliver Evans/Amgueddfa Cymru

Amgueddfa Cymru

TAYLOR, Robert

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1947)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

JONES, David

(1926)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

HANCOCK, John

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

OWEN, Isambard

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

IRELAND, S.

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

WILSON, Richard (after) WHESSELL, John

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

BRANGWYN, Frank William

© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

WOLEDGE, F.W.

(1838)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

COLLIER, T.

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

HALL, G. L.

(1880)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

BISHOP, Walter Follen

(1902)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

BLOCH, Martin

Trwy ganiatâd Amgueddfa Cymru