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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

ROUAULT, Georges (Publisher)
lL'Éoile Filante, Paris (Publisher)
Aulard, Paris (Publisher)
[No title]
Delwedd: © ADAGP, Paris a DACS, London 224/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (5)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 13638

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

ROUAULT, Georges
1871-1958
lL'Éoile Filante, Paris
Aulard, Paris
Rôl: Artist
Rôl: Publisher
Cyfnod: 1922-1928

Derbyniad

Purchase, 9/9/1983

Mesuriadau

h(cm) sheet size:65.3
h(cm)
w(cm) sheet size:50.5
w(cm)
h(cm) plate size:50.8
h(cm)
w(cm) plate size:36.5
w(cm)
h(cm) folder:67.5
h(cm)
w(cm) folder:51.5
w(cm)

Techneg

Etching and aquatint on paper
Mixed technique
Intaglio printing
Prints
Fine Art - works on paper

Deunydd

Ink
Paper

Lleoliad

In store
Mwy

Tags

  • Celf Gain
  • Ffurf Benywaidd
  • Gweithiau Ar Bapur
  • Printiau

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
CONWAY, Charles
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Several pages have notes, calculations, quotations, and captions.</p>
PARRY, John Orlando
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1962)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>landscape</p>
GROSS, Anthony
© Ystâd Anthony Gross. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
Studies of trees
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MURRAY, William Grant
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Paul, SANDBY,
(1776)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Sculptor: ROBERTS-JONES, Ivor
(1978)
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2002)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>detailed landscape</p>
MACFARLANE, John
(1978)
© John Macfarlane/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BATTY, Robert (Lieutenant-Colonel)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Symudodd David Tress i Sir Benfro ym 1976. Mae ei dirluniau wedi newid dros amser wrth i’w dechnegau ddatblygu. Mae’r papurau wedi’u gosod mewn haenau, eu crafu a’u rhwygo, ac yna eu hel at ei gilydd, cyn cael eu golchi â dyfrlliw, inc a phastel olew. Mae’r technegau amrywiol hyn yn cynrychioli elfennau o’r dirwedd, fel y tywydd, erydiad a goleuni.</p>
TRESS, David
© David Tress/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: RODGER George
(1954)
© George Rodger / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HERMAN, Josef
(1946)
© Ystâd Josef Herman/Amgueddfa Cymru
Amgueddfa Cymru
<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>
MOODY, Ronald Clive
(1937)
© The Ronald Moody Trust/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
McBEAN, Angus
(1963)
© Angus Mcbean/Amgueddfa Cymru

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