[No title]

Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

ROUAULT, Georges (Publisher)

lL'Éoile Filante, Paris (Publisher)

Aulard, Paris (Publisher)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 13638

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

ROUAULT, Georges

1871-1958

lL'Éoile Filante, Paris

Aulard, Paris

Rôl: Artist

Rôl: Publisher

Cyfnod: 1922-1928

Derbyniad

Purchase, 9/9/1983

Mesuriadau

h(cm) sheet size:65.3

h(cm)

w(cm) sheet size:50.5

w(cm)

h(cm) plate size:50.8

h(cm)

w(cm) plate size:36.5

w(cm)

h(cm) folder:67.5

h(cm)

w(cm) folder:51.5

w(cm)

Techneg

Etching and aquatint on paper

Mixed technique

Intaglio printing

Prints

Fine Art - works on paper

Deunydd

Ink

Paper

Lleoliad

In store

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

WADE, A. E.

(1937)

Amgueddfa Cymru

[No title]

BRODZKY, Horrace

(1939)

Amgueddfa Cymru

[No title]

HARDWICK, W N

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

SHRUBB, Sandra

(2006)

Amgueddfa Cymru

[No title]

HOARE, Sir Richard Colt

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

Amgueddfa Cymru

[No title]

SHORT, Sir Frank TURNER, Joseph Mallord William (after)

(1920)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Information provided by the estate of Moody: 'The artist's first self-portrait in bronze so displeased him, that he destroyed it. This second version pleased him no better. By the time he finished it in June 1937, he was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version in elm and, within a month, produced Self-Portrait 3. For the next nine years, all his portraits were in wood. When Marie Seton went to live in America, she put this mask into storage, together with several other works the artist had left in her care. Although it is mentioned in her letter of 27.10.42 to Cox & King's, authorising Helene Moody to collect them, it remained with Marie Seton until her death in 1985 and was restored to the artist's collection by her executor Pamela Cullen in 1989.'

MOODY, Ronald Clive

(1937)

Amgueddfa Cymru

Sheet creased centrally horizontally - top and lower sections likely to be two seperate drawings

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

HOWARD-JONES, Ray

(1920s)

Amgueddfa Cymru

[No title]

EDWARDS, Sydenham T.

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

HOWARD-JONES, Ray

Amgueddfa Cymru

[No title]

JONES, David

(1925)

Amgueddfa Cymru

[No title]

BLISS, Douglas Percy

Amgueddfa Cymru

[No title]

BOCOURT, E.

(18th century)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

PHILLIPS, Tom

Amgueddfa Cymru

[No title]

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

[No title]

Manylion

Collection

Rhif yr Eitem

Historical Associations

Creu/Cynhyrchu

Derbyniad

Mesuriadau

Techneg

Deunydd

Lleoliad

Tags

Rhannu

Mwy fel hyn