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[No title]

WALTERS, Evan
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 3955

Creu/Cynhyrchu

WALTERS, Evan
1893-1951
Rôl: Artist

Derbyniad

Bequest, 14/1/1953

Mesuriadau

Uchder (cm): 76.5
Lled (cm): 63.7
Uchder (in): 30
Lled (in): 25

Techneg

Canvas

Deunydd

Oil

Lleoliad

In store - verified by J Carver
Mwy

Tags

  • Celf Gain
  • Paentiad
  • Plentyn
  • Portread

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ELWYN, John
(20th century - (second half))
© Ystâd John Elwyn/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1996)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MITCHELL, Bernard
(1999)
©Bernard Mitchell/Amgueddfa Cymru
Amgueddfa Cymru
<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>
Photographer: SCHNEIDERMANN, Clémentine
(2016)
© Clémentine Schneidermann/Amgueddfa Cymru
Amgueddfa Cymru
<p>Rhwng mis Hydref a mis Rhagfyr 1908, bu Monet a'i wraig Alice yn Fenis gan aros gerllaw'r Gamlas Fawr. Mae'r cyfansoddiad hwn yn dangos mynachlog San Giorgio Maggiore yn null Palladio o ffenestr eu gwesty yng ngwesty'r Brittania. Cafodd ei beintio mewn sawl sesiwn, mae'n debyg yn ystod cyfnod 'quatriéme motif' Monet ar ddiwedd y prynhawn rhwng pedwar a chwech o'r gloch. Prynwyd y gwaith gan Gwendoline Davies ym Mharis ym 1912, a hwn yw un o'r gweithiau Agraffiadol cyntaf yng nghasgliad y chwiorydd Davies.</p>
MONET, Claude
(1908)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HARLOW, G.H.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Wrightwood is the centre for blue collar skiing. It is on the San Andreas Fault though they have never had a casualty from an Earthquake but plenty from bad skiing.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1922-1923)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
DENNY, Robyn
(1961)
© Ystâd Robyn Denny. Cedwir Pob Hawl. DACS 224/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CECIL, Roger
(1990 ca)
© Ystâd Roger Cecil/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2014)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1935-1936)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BLOCH, Martin
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>
MOODY, Ronald Clive
(1937)
© The Ronald Moody Trust/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EVANS, Merlyn
(1946)
© Merlyn Oliver Evans/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1998)
© David Hurn / Magnum Photos / Amgueddfa Cymru

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