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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

HOWARD-JONES, Ray

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 10163

Creu/Cynhyrchu

HOWARD-JONES, Ray

1903-1996

Rôl: Artist

Derbyniad

Bequest, 1996

Mesuriadau

Uchder (cm): 38

Lled (cm): 29

Techneg

Pastel on paper

Drawings

Drawings and watercolours

Fine Art - works on paper

Deunydd

Pastel

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

KLEE, Paul

(1929)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2004)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1986)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1973)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Head

ROBERTS-JONES, Ivor

(20th century - (second half))

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>Inscibed with various names, locations, dates and jokes.</p>

PARRY, John Orlando

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

PHILLIPS, Tom

© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1962)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Dideitl (o gyfres Lefel Dŵr) 9

Photographer: LEE, Stuart

(2005)

© Stuart Lee/Amgueddfa Cymru

Amgueddfa Cymru

ROBERTS, Will

© Will Roberts/Amgueddfa Cymru

Amgueddfa Cymru

<p>Roedd Ffrangcon-Davies yn seren chwedlonol ar lwyfannau Prydain yn ystod gyrfa a oedd yn rhychwantu 80 mlynedd. Cafodd ei geni yn Llundain i deulu o dras Gymreig, a gwnaeth ei hymddangosiad cyntaf ar lwyfan yn A Midsummer Night’s Dream ym 1911. Ym 1924, cafodd ei galw yn Juliet orau ei chenhedlaeth, pan berfformiodd gyferbyn â John Gielgud yn rhan Romeo. Chwaraeodd Ffrangcon-Davies lawer o rannau yn nramâu Shakespeare ac ymddangosodd mewn nifer o gynyrchiadau radio a theledu. Cafodd ei gwneud yn Fonesig yr Ymerodraeth Brydeinig pan oedd yn 100 oed. Mae’r portread hynod annwyl hwn, a dynnwyd yn ei chartref, yn dangos ei dwylo enwog llawn mynegiant. Roedd partner hirdymor Gwen, sef Vanne – neu Margaretha ‘Scrappy’ van Hulsteyn – hefyd yn actores lwyddiannus ac yn aelod o’r elît cymdeithasol Affricaneraidd.</p>

Photographer: SINCLAIR, Nicholas

© Nicholas Sinclair. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>Gosodwaith mawr gan Cerith Wyn Evans yw Radiant Fold (…the Illuminating Gas) a gomisiynwyd ar gyfer Amgueddfa Cymru drwy gynllun Great Works y Gymdeithas Gelf Gyfoes. Ceir adlais yma o waith eiconig Marcel Duchamp, The Bride Stripped Bare by Her Batchelors, Even (1915–23). Mae’r pedwar golau neon yn ymgnawdoliad o’r diagramau optegol cyfrin a alwyd gan Duchamp yn ‘dystion yr ocwlt’. Cynhyrchwyd y gwaith yn benodol ar gyfer Oriel 24 yn Adain y Gorllewin, er mwyn chwarae mig â phensaernïaeth fodernaidd yr ystafell a hanes ehangach yr Amgueddfa a’i chasgliadau.</p> <p>Ganwyd Cerith Wyn Evans yn Llanelli ym 1958. Ers y 1990au mae ei waith wedi canolbwyntio ar gerflunio a gosodwaith sy’n ymdrin â’n dealltwriaeth o iaith a dirnadaeth. Gwelir ei waith mewn nifer o arddangosfeydd rhyngwladol unigol a grŵp, gan gynnwys comisiwn sylweddol ar gyfer Orielau Duveen Tate Britain yn 2017. Cefnogir cynllun Great Works yn hael gan sefydliad Sfumato gyda’r nod o fynd i’r afael â’r diffyg yn amgueddfeydd y DU o waith artistiaid Prydeinig mawr yr 20 mlynedd diwethaf. Radiant Fold (…the Illuminating Gas) yw’r gwaith cyntaf gan Cerith Wyn Evans i gael ei gaffael i gasgliad cyhoeddus yng Nghymru.</p>

EVANS, Cerith Wyn

(2017-2018)

© Cerith Wyn Evans/Amgueddfa Cymru

Amgueddfa Cymru

MARINOT, Maurice

(1951)

© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Jug

Production: Knight, Chris

(1993)

Amgueddfa Cymru

EVANS, Merlyn

(1972)

© Merlyn Oliver Evans/Amgueddfa Cymru