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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

Plaque

Spacey, Charles (Maker)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Octagonal serving platter, grey stoneware, length longer than width, flat base, high sides, flat rim, slightly distorted form. Decorated with coloured glazes. Well with vertical rows of diamonds - white speckled with orange, black, and blue and green; cavetto yellow brown with red speckling at joints; two bands around rim, the inner of pale blue the outer of black/green. Black/green continued on revese to flat base, areas of pale blue glaze around base. Pitted orange peel texture with a low sheen on upper side, textured reverse, flat base unglazed.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 32735

Creu/Cynhyrchu

Spacey, Charles
Rôl: Production
Rôl: Maker
Lle: Welshpool
Cyfnod: 1993

Derbyniad

Purchase, 2/1/1996

Mesuriadau

Uchder (cm): 4.5
Meithder (cm): 48.2
Lled (cm): 41.7
Uchder (in): 1
Meithder (in): 19
Lled (in): 16

Techneg

Moulded
Forming
Applied Art
Ash glaze
Glazed
Decoration
Applied Art

Deunydd

Stoneware

Lleoliad

In store
Mwy

Tags


  • Celf Gymhwysol
  • Crefft

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
Anghymesur 1
Odundo, Magdalene
(2016)
© Magdalene A N Odundo/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1975-1976)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PRITCHARD, Arthur
© Arthur Pritchard/Amgueddfa Cymru
Amgueddfa Cymru
<p>"One of the first studies made on the Gower Peninsular after the first bombardment." (Sutherland in Wales, 1976, p. 38)</p>
SUTHERLAND, Graham Vivian
(1940)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1971)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
<p>A study of a wood with an owl flying top centre and a sign which reads "Keep Out", lower right. The owl's face is very similar to the face on the plaster cast, owned by Sutherland (by Picasso?). The composition is similar to Path in a wood, but here the area of light at the bottom seems to be an enclosed space, light by an artificial source. A red lamp is also visible.</p>
SUTHERLAND, Graham Vivian
(1979)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
<p>Study of head facing left with hat</p>
SUTHERLAND, Graham Vivian
(1956)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: MORGAN, Llew. E.
Amgueddfa Cymru
[No title]
BRANGWYN, Frank William
© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
SHORT, Sir Frank TURNER, Joseph Mallord William (after)
(1920)
Amgueddfa Cymru
[No title]
STEEGMAN, John
(1946)
© John Steegman/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: MORGAN, Llew. E.
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1966)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>
MOODY, Ronald Clive
(1937)
© The Ronald Moody Trust/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
FORAIN, Jean-Louis
Trwy ganiatâd Amgueddfa Cymru

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