Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis
Gosodiadau

Gosodiadau Cwcis

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

 

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

 

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

 
 
Gweld ein Polisi Cwcis
×

Image filter options
Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

Plaque

Spacey, Charles (Maker)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Octagonal serving platter, grey stoneware, length longer than width, flat base, high sides, flat rim, slightly distorted form. Decorated with coloured glazes. Well with vertical rows of diamonds - white speckled with orange, black, and blue and green; cavetto yellow brown with red speckling at joints; two bands around rim, the inner of pale blue the outer of black/green. Black/green continued on revese to flat base, areas of pale blue glaze around base. Pitted orange peel texture with a low sheen on upper side, textured reverse, flat base unglazed.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 32735

Creu/Cynhyrchu

Spacey, Charles
Rôl: Production
Rôl: Maker
Lle: Welshpool
Cyfnod: 1993

Derbyniad

Purchase, 2/1/1996

Mesuriadau

Uchder (cm): 4.5
Meithder (cm): 48.2
Lled (cm): 41.7
Uchder (in): 1
Meithder (in): 19
Lled (in): 16

Techneg

Moulded
Forming
Applied Art
Ash glaze
Glazed
Decoration
Applied Art

Deunydd

Stoneware

Lleoliad

In store
Mwy

Tags


  • Celf Gymhwysol
  • Crefft

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
Photographer: HURN David
(2006)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EVANS, Merlyn
(1970)
© Merlyn Oliver Evans/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EVANS, Merlyn
(1969)
© Merlyn Oliver Evans/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOUSE, Gordon
(1961)
© Gordon House/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BOWEN, Keith
(1986)
© Keith Bowen/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, Glyn
(1978)
© Glyn Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1978-1979)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PRENDERGAST, Peter
(2000)
© Ystad Peter Prendergast/DACS/Derek Williams Trust/Amgueddfa Cymru
Amgueddfa Cymru
Sketchbook
RICHARDS, Ceri
© Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>Yn 2008 daeth Michal Iwanowski, yr artist a aned yng Ngwlad Pwyl ac yn byw yng Nghaerdydd, ar draws graffiti ger ei gartref yn dweud 'Go Home, Polish'. Ddeng mlynedd yn ddiweddarach, yng nghanol cefndir Brexit ac Ewrop ranedig, ymgymerodd â thaith anhygoel dros 1900km ar droed rhwng Cymru a'i bentref genedigol, Mokrzeszów yng Ngwlad Pwyl. Ei nod oedd archwilio a deall y syniad o 'gartref'. Cymerodd y daith 105 diwrnod i'w chwblhau, a thrwy hynny fe bostiodd ddyddiadur o'i brofiadau a'i gyfarfyddiadau ar Instagram.</p>
IWANOWSKI, Michal
(2018)
© Michal Iwanowski/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
<p>Yn 2008 gwelodd Michal Iwanovski - artist o Wlad Pwyl yn byw yng Nghaerdydd - graffiti ger ei gartref yn dweud 'Go Home, Polish'. Ddeg mlynedd yn ddiweddarach fe gerddodd y 1900km anodd o Gymru i Wlad Pwyl er mwyn ceisio dod i ddeall y cysyniad o 'gartref' yn dilyn pleidlais Brexit. Cofnododd ei daith a'i brofiadau dros y 105 diwrnod mewn dyddiadur ar Instagram.</p>
IWANOWSKI, Michal
(2018)
© Michal Iwanowski/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
DE MONCHAUX, Cathy
(2002)
© Cathy de Monchaux. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GLYDE, J.
(1820)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>
FINNEMORE, Peter
(2019)
© Peter Finnemore/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOYLAND, John
(1989)
© Ystâd John Hoyland. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus (after)
(20th century)
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
Sketchbook
HEY, Cicely
© Cicely Hey/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOYLAND, John
(1989)
© Ystâd John Hoyland. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOYLAND, John
(1989)
© Ystâd John Hoyland. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

  • Gweithiau Celf
  • Themâu
  • Projectau ac Arddangosfeydd
  • Erthyglau Cynfas
  • Dysgu

Y Wefan

  • Amdanom Ni
  • Mynediad
  • Cwestiynau cyffredin
  • Hawlfraint
  • Cwcis

CYSYLLTWCH Â Ni

  • Cysylltwch â ni
  • Instagram @celfarycyd
× ❮ ❯