[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

PHILLIPS, Tom

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 5717

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

1937-2022

Rôl: Artist

Mesuriadau

Uchder (cm): 42

Lled (cm): 32

Uchder (in): 16

Lled (in): 12

Techneg

Print on paper

Deunydd

Ink

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Sculpture comprising eight flattened glass tubes standing vertically on a rectangular slate base, each tube made of coloured glass encased in clear glass, from left to right black, black with a flat applied blue stripe, blue, black with a raised applied turquoise stripe, turquoise with a raised applied red stripe, turquoise, grey, black.</p> <p>Each tube held in position by a pair of rubber-coated metal rods that stand in holes drilled into the slate base. Assembly instructions in inventory and conservation files.</p>

Production: Woodman, Rachael Hearn, Stewart

(2008)

Amgueddfa Cymru

HOWARD-JONES, Ray

(1942)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

GAUDIER-BRZESKA, Henri

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: In Santiago there is a vast population of vagabond children who beg in the parks, sleep anywhere they can, forming an independant sort of tribe in the middle of the city with their own language, customs, etc. They work with older men who use them for begging, teaching them the routine and habits and crime which is their only future. The kids are shy of the poor houses, because they are badly treated and fed. Often people give them money and food. They gather in clans, often run by older boys who holda homosexual hold over them. On the whole the street is fun for them, and they prefer that to the safety of state institutions.</p>

Photographer: LARRAIN Sergio

(1955)

© Sergio Larrain / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Apache Junction. The Senior Pro Rodeo. Bareback riding. The Senior Pro Rodeo provides the same opportunities and events for cowboys and cowgirls as do the WPRA. The only difference is the age of those competing. Bareback is scored on a seven second ride plus style of riding. The world champion of the class 50+ is over 60 years of age.</p>

Photographer: HURN David

(1980)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2009)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

MATTHEWS, Doris

(1935)

© Doris Matthews/Amgueddfa Cymru

Amgueddfa Cymru

MATTHEWS, Doris

(1921)

© Doris Matthews/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1962)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

MATTHEWS, Doris

(1931)

© Doris Matthews/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: DAVIDSON Bruce

(1982)

© Bruce Davidson / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1998)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Mae’r hunanbortread mawr hwn yn dangos yr artist wrth ei gwaith. Fel mwyafrif y golygfeydd o’i stiwdio, mae’r ystafell yn anniben gydag offer paentio ym mhobman, a gallwn weld motiff cyfarwydd y beret coch y bydd yn ei wisgo wrth weithio. Enillodd Hunanbortread Coch wobr gyntaf Cystadleuaeth Gelf Hunting/Observer 1993. Ganwyd Shani Rhys-James yn Awstralia i rieni o Gymru ym 1953. Wedi astudio yng Ngholeg Celf Loughborough a Choleg Celf St Martins yn Llundain, symudodd i Gymru ym 1984. Yn St Martins cafodd ei dysgu gan Gillian Ayres, ymhlith eraill, a daeth nodweddion haniaethol paent yn elfen yn ei harddull drosiadol. Mae’n mwynhau gwead paent, ei liw a’i egni. Yn 2003 enillodd wobr baentio Jerwood.</p>

RHYS JAMES, Shani

(1992)

© Shani Rhys James. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>

Photographer: DAVIDSON, Bruce

(1958)

© Bruce Davidson / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Christ crowned with thorns, and with the marks of the nails on his hands and feet is seated on the tomb. Before him kneels Peer holding up a budding staff. Title piece to "The Great Passion", prints I.</p>

Engraver: DÜRER, Albrecht

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

GREEN, Peter

(1960)

© Peter Green/Amgueddfa Cymru