[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

ROBERTS-JONES, Ivor

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 264

Creu/Cynhyrchu

ROBERTS-JONES, Ivor

1913-1996

Rôl: Artist

Cyfnod: 1980

Derbyniad

Gift, 1990

Mesuriadau

Uchder (cm): 29.7

Lled (cm): 42

Uchder (in): 10

Lled (in): 16

Techneg

Mixed media on paper

Drawings and watercolours

Fine Art - works on paper

Deunydd

Pencil

Watercolour

Pen

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: DAVIDSON Bruce

(1965)

© Bruce Davidson / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

CARTER, Mike

(2007)

© Mike Carter/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1964)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>VIETNAM. This woman was tagged, probably by a sympathetic corpsman, with the designation VNC (Vietnamese civilian). This was unusual. Wounded civilians were normally tagged VCS (Vietcong suspect) and all dead peasants were posthumously elevated to the rank of VCC (Vietcong confirmed). 1967</p> <p>[Source: Magnum Photos]</p>

Photographer: JONES GRIFFITHS, Philip

(1967)

© Philip Jones Griffiths / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

HACKER, Arthur

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BRANGWYN, Frank William

© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1965 ca)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1969)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BURNE-JONES, Sir Edward Agnew, T. & Sons

(1892)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

PISSARRO, Camille

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

HURN David

(1997)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Mae Astudiaeth cyfrwng cymysg Graham Sutherland ar gyfer Croeshoeliad Eglwys St Matthews 1946 yn cynnig mewnwelediad gwerthfawr i natur ei broses ddarlunio. Mae'r gwaith arbennig hwn, gyda'r glas a'r lelog wedi'u gosod yn erbyn du caled y darlun, yn enwedig düwch y siâp hirgrwn o amgylch torso a choesau Crist. Mae darlunio digymell y Croeshoeliad wedi'i ddal o fewn llinellau tynn y sgwâr neu'r cynhwysudd, dipyn llai na'r testun ehangach, sy'n cyfeirio at waith gan Alberto Giacometti.</p>

SUTHERLAND, Graham Vivian

(1946)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

<p>abstract, black and white</p>

CHAMBERLAIN, Brenda

(1963)

© Brenda Chamberlain/Amgueddfa Cymru/Reuven Jasser

Amgueddfa Cymru

<p>Hwfa Môn was the name taken by the Anglesey-born poet and independent minister, Rowland Williams (1823-1905), when he was invested as a Bard in 1849. In 1894 he was elected Archdruid, head of the Gorsedd of Bards. Originally from Bavaria, Herkomer settled in Britain and had a lifelong loyalty to Wales. He much admired the bardic traditions and was closely involved in the National Eisteddfod of Wales, the annual festival of Welsh culture, over which the Gorsedd presided. This interest may have been sparked by his second and third wives, the sisters Lulu and Margaret Griffiths, who were Welsh. </p> <p>This portrait was made during the 1895 Eisteddfod at Llanelli at which Herkomer awarded the prizes in the art section. He wrote a short article in The Graphic following his visit, in which he objected to the costumes of the Gorsedd. He thought they needed 'overhauling' and could be made 'not only picturesque but archaeologically correct'. He subsequently designed new ones, which were used at the 1897 Newport Eisteddfod. This drawing was reproduced as a lithograph to accompany The Graphic article. Herkomer also produced an extraordinary finished watercolour of the same sitter, which is now in the Forbes Magazine collection, New York.</p> <p>An 1894 photograph shows the Archdruid (Clwydfardd) wearing the mitre worn by Hwfa Mon in this drawing. HM appears in another photograph in the same old costume at Llandudno National Eisteddfod in 1896. The new costume designed by Herkomer was first worn by HM in the proclomation ceremony for the Newport National Eisteddfod, August 1896.</p> <p>NMWA 3708 was reproduced as a lithograph in`The Graphic', 10 August 1895, p. 160, the opposite page (161) reproduces another Herkomer portrait of "Gurnos" Jones, conductor of the Welsh Eisteddfod. </p> <p>Hubert von Herkomer, `Hwfa Mon, Archdruid of Wales' 1896, watercolour, Forbes Magazine Collection, New York (P79177-W), in a white and gold frame designed by the artist.</p> <p>Source: Victorian Visions 2004-05 catalogue entry by Beth McIntyre</p>

HERKOMER, Sir Hubert von

(1895)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Y Golau Treiddgar

HOWARD-JONES, Ray

(1992)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

ATKINS, Samuel

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: The Commando Memorial is a Category A listed monument in Scotland, dedicated to the men of the original British Commando Forces raised during World War II. Situated around a mile from Spean Bridge village, it overlooks the training areas of the Commando Training Depot established in 1942 at Achnacarry Castle.</p>

Photographer: HURN David

(1967)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

STEELE, Jeffrey Editions Média, Switzerland

(1978)

© Ystâd Jeffrey Steele/Amgueddfa Cymru