[No title] | Gwaith Celf | Celf ar y Cyd

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[No title]

ROBERTS-JONES, Ivor (Sculptor)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 3262

Creu/Cynhyrchu

ROBERTS-JONES, Ivor

1913-1996

Rôl: Sculptor

Cyfnod: 1994

Derbyniad

Gift, 24/3/1995

Mesuriadau

Uchder (cm): 30.9

Meithder (cm): 23.2

Lled (cm): 25.5

Uchder (in): 12

Meithder (in): 9

Lled (in): 10

Techneg

Bronze

Techniques (sculpture)

Fine Art - sculpture

Deunydd

Bronze

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2003)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

LEWIS, John Frederick

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

(1940 ca)

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

ROUAULT, Georges lL'Éoile Filante, Paris Aulard, Paris

(1922-1928)

© ADAGP, Paris a DACS, London 224/Amgueddfa Cymru

Amgueddfa Cymru

MORSE BROWN, Sam

(1939)

© Sam Morse Brown/Amgueddfa Cymru

Amgueddfa Cymru

LEVY, Mervyn

© Mervyn Levy/Amgueddfa Cymru

Amgueddfa Cymru

MARINOT, Maurice

(1950)

© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

Amgueddfa Cymru

MALTHOUSE, Eric

(1954)

© Eric Malthouse/Amgueddfa Cymru

Amgueddfa Cymru

<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>

MOODY, Ronald Clive

(1937)

© The Ronald Moody Trust/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: Cecil, Hugh

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

(1958 ca)

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Hexagonal wooden box with drawers and mirrors</p>

LORD, Peter

© Peter Lord/Amgueddfa Cymru

Amgueddfa Cymru

<p>wooden pillar with mirrors</p>

LORD, Peter

© Peter Lord/Amgueddfa Cymru

Amgueddfa Cymru

HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

MARINOT, Maurice

(1924)

© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

Amgueddfa Cymru

REDON, Odilon

(1896)

Trwy ganiatâd Amgueddfa Cymru