[No title] | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

GREEN, Peter

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 24772

Creu/Cynhyrchu

Rôl: Artist

Cyfnod: 1960

Mesuriadau

h(cm) frame:88

h(cm)

w(cm) frame:104.5

w(cm)

Uchder (cm): 76.5

Lled (cm): 91.5

Techneg

Linocut on paper

Deunydd

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

<p>Ganed y paentiwr a’r garddwr, Cedric Morris, yn Sgeti, Abertawe, ac astudiodd ym Mharis. Cyfarfu Morris â’i gydymaith oes, yr arlunydd Arthur Lett-Haines, ym 1918. Ym 1937, sefydlodd y ddau Ysgol Baentio ac Arlunio Dwyrain Anglia. Roedd eu disgyblion yn cynnwys Lucian Freud, a baentiodd y portread hwn o’i athro ym 1940. Cofiai Freud yn ddiweddarach: ‘Dysgodd Cedric fi i baentio ac, yn bwysicach oll, i ddal ati. Nid oedd yn dweud rhyw lawer, ond roedd yn gadael i mi ei wylio’n gweithio. Rwyf i bob amser wedi edmygu ei baentiadau a phopeth amdano’. </p> <p>Tynnodd Morris lun ei fyfyriwr hefyd yn yr un flwyddyn (Oriel Tate). Erbyn hyn, roedd potensial Freud yn cael ei gydnabod yn eang. Ar 7 Mawrth 1940, dywedodd yr Evening Standard fod ynddo'r 'addewid i fod yn baentiwr nodedig...deallus a llawn dychmyg, ag iddo synnwyr seicolegol greddfol yn hytrach na gwyddonol'.</p>

FREUD, Lucian

(1940)

© Ystâd Lucian Freud. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: MEISELAS Susan

(1995)

© Susan Meiselas / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

MURRAY, William Grant

(1911)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1993)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1963)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1978-1979)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

MARINOT, Maurice

(1951)

© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1997)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Visually the most Irish part of Ireland. The coast around Slea Head is one of the most beautiful in Ireland. It is full of little coves where locals will go for an afternoon by the sea with their families.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JORDAENS, Jakob

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Abkhazia, Sukhum. Yn ystod rhyfel 1993 gyda Georgia, bu farw dros 10,000 o bobl a gorfodwyd cannoedd o bobl nad oeddent yn Abkhaziaid i ffoi o'r wlad, gan adael dinas yn dadfeilio.

Photographer: BENDIKSEN Jonas

(2005)

© Jonas Bendiksen / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

SOLOMON, Elenore

(2009)

Amgueddfa Cymru

SMITH, Bob & Roberta K2 Screen

(2011)

©International Olympic Committee (IOC) - Cedwir Pob Hawl/Bob and Roberta Smith/Amgueddfa Cymru