[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

JOHN, Augustus

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 18291

Creu/Cynhyrchu

1878-1961

Rôl: Artist

Derbyniad

Purchase, 11/9/1972

Mesuriadau

Uchder (cm): 11.3

Lled (cm): 17.7

Techneg

Pen and ink on paper

Ink on paper

Drawings and watercolours

Fine Art - works on paper

Deunydd

Pen

Ink

Paper

Lleoliad

in store - verified by BD

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

HOWARD-JONES, Ray

(1972 ca)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

RICHARDS, Fred

© Fred Richards/Amgueddfa Cymru

Amgueddfa Cymru

Castell Talacharn

INCE, Joseph Murray

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1976)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

BONINGTON, Richard Parkes

(1825)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: On the Doc Bar Ranch is a line of 40 year old Cadillacs half buried in the ground. They are exactly following the line of the San Adreas Fault and one of the few visible signs of exactly where the fault lies. They have now become a local tourist attraction and have been elevated to become works of art. Actually they were put there to protect the bank of the small river.</p>

Photographer: HURN David

(1991)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BONINGTON, Richard Parkes (after) HARDING, J. D.

(1830)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1950)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

JONES, David

(1924)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>

FINNEMORE, Peter

(2019)

© Peter Finnemore/Amgueddfa Cymru

Amgueddfa Cymru

<p>Photo shoot: Llandeilo, 9th August 1996 </p> <p>Grand Sword Bearers of the Gorsedd of the Bards, Delme Evans, Dillwyn Miles and T. Gwynne Jones. The Gorsedd is an association of members; poets, writers, musicians and other individuals, who have made a distinguished contribution to the Welsh nation, language and culture.</p> <p>DELME EVANS Place and date of birth: Penygroes, 1933 Main occupation: Retired Police Superintendant First Language: Welsh Other languages: English Lived in Wales: Always (died 2002)</p> <p>DILLWYN MILES Place of birth: Newport, Pembrokeshire 1916 Main Occupation: Retired Director, Dyfed Rural Council First Language: Welsh Other languages: English Lived in Wales: Always</p> <p>T. GWYNN JONES Place and date of birth: Talgarth, Gwynedd 1922 Main Occupation: Retired Headmaster First Language: Welsh Other languages: English, French, some Spanish Lived in Wales: Always.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BRANGWYN, Frank William

© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Sketch of flower

BAWDEN, Edward

© Ystâd Edward Bawden/Amgueddfa Cymru

Amgueddfa Cymru

MAYNARD, R.A. BRAY, H.W.

(1925)

© R.A. Maynard/Amgueddfa Cymru

Amgueddfa Cymru

JONES, David Golden Cockerel Press

(1927)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Pen Victor Hugo (1802-1885)

RODIN, Auguste

(1883 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

HOLLAR, Wenceslaus

(1641)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

BREWER, Paul

(1975)

© Paul Brewer/Amgueddfa Cymru