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Dish

Cambrian Pottery (Decorator)
PARDOE, Thomas (Decorator)
Dish
Delwedd: Trwy ganiatâd Amgueddfa Cymru
 Chwyddo

Dish, earthenware, circular shape with straight-sided foot-rim and rounded curving sides; painted in sepia with to the centre of the well a large bouquet of mixed flowers surrounded by a few scattered foliate sprigs, a gilt edge to the rim.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 35030

Creu/Cynhyrchu

Cambrian Pottery
Established in Swansea in 1764, the Cambrian Pottery reached its creative peak under the proprietorship of Lewis Weston Dillwyn (1778-1855), who ran the Pottery (with a break between 1817 and 1824) from 1802 to 1836. Lewis Weston Dillwyn was a natural scientist, antiquarian, Member of Parliament, magistrate and landowner whose intellectual interests drove the Cambrian Pottery to become one of the most ambitious and artistically accomplished British potteries of the early 19th century. While the porcelain manufactured in Swansea between 1814 and 1825 justifies its reputation as among the finest of British porcelains, the pottery produced under Dillwyn’s ownership between 1802 and about 1809 was at its best an equally impressive achievement, most particularly that made for sale in the Pottery’s Cambrian Warehouse in London 1806-1808, the context for which this supper service was most likely created.
PARDOE, Thomas
Thomas Pardoe was employed as a painter at the Cambrian Pottery, Swansea, from about 1795 to 1809. He then worked freelance in Bristol before returning to Wales in the winter of 1820-21 where he decorated the remaining stock of porcelain at the Nantgarw China Works until his death.
Rôl: Production
Rôl: Factory
Rôl: Production
Rôl: Decorator
Lle: Swansea
Cyfnod: 1795-1809

Derbyniad

Bequest, 10/12/1953

Mesuriadau

Uchder (cm): 4.4
diam (cm): 19.9
Uchder (cm): 1
diam (in): 7

Techneg

Press-moulded
Forming
Applied Art
Jiggered
Forming
Applied Art
Enamelled
Decoration
Applied Art
Gilded
Decoration
Applied Art
Glazed
Decoration
Applied Art

Deunydd

Earthenware
Enamel
Gilding
Glaze

Lleoliad

In conservation
Mwy

Tags


  • Celf Gymhwysol
  • Cerameg
  • Priddwaith
  • Priddwaith Cymru

Rhannu


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<p>Llestr lleuad prydferth, anferth wedi'i gwneud yn gyfangwbl â llaw, sy'n gyfuniad rhagorol o grefft, canolbwyntio a gwaith caled. Y tirlun yw ysbrydoliaeth Adam Buick ac mae'n cynnwys deunyddiau lleol yn ei lestri. Yma mae wedi tasgu clai Waun Llodi dros y jar a'i gosod ar blinth carreg las naturiol Sir Benfro.</p>
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© Zoe Preece/Amgueddfa Cymru
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<p>Mae treftadaeth Lowri Davies fel Cymraes yn ffynhonnell sylweddol o ysbrydoliaeth iddi. Mae serameg yn bwysig i’w hymdeimlad o hunaniaeth, nid yn unig crochenwaith a phorslen hanesyddol o Gymru mewn casgliadau amgueddfeydd, ond hefyd y crochenwaith a’r straeon cysylltiedig a gafodd eu pasio i lawr gan fenywod yn ei theulu. Yr anrhegion priodas yma, cofroddion o deithiau undydd a rhoddion diolch gan ei hen nain, a ysbrydolodd Casglu. Mae’r casgliad yma o lithoffanau yn cynnwys gwrthrychau domestig y magwyd Lowri o’u cwmpas: tebotau, ffigurynnau, y dresel a etifeddodd, lle tân mewn cegin draddodiadol glyd. Placiau porslen tenau wedi’u modelu mewn cerfwedd yw lithoffanau, fel bod delweddau’n ymddangos pan fydd golau’n disgleirio drwyddynt. Roedden nhw’n boblogaidd yn y bedwaredd ganrif ar bymtheg, ac yn cael eu creu yn bennaf mewn ffatrïoedd yn Ffrainc, yr Almaen a Lloegr, ond hefyd yng Nghrochendy De Cymru yn Llanelli.</p>
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© Lowri Davies/Amgueddfa Cymru
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[No title]
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[No title]
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