Castell Caernarfon | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

Castell Caernarfon

IBBETSON, Julius Caesar

Caernarfon oedd canolfan hynafol Gwynedd, ac ar ôl trechu tywysog olaf Cymru yn 1283 dechreuodd Edward I godi'r mwyaf o'i gestyll yng Nghymru, i fod yn yn gaer frenhinol a chanolfan lywodraethol. Daw enw Tŵr yr Eryr a welir yma o'r eryrod carreg darniog ar ben y tri thyred, ac mae'n sicr iddo gael ei gynllunio ar gyfer Cwnstabl Caernarfon. Er na chafodd ei orffen, parhawyd i ddefnyddio'r castell yng nghyfnod y Tuduriaid, ond erbyn i Ibbetson deithio drwy Ogledd a Gorllewin Cymru yn ystod yr haf 1792, roedd y castell yn furddun ers yn agos i ddwy ganrif.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 462

Creu/Cynhyrchu

IBBETSON, Julius Caesar

1759-1817

Rôl: Artist

Cyfnod: 1792

Derbyniad

Purchase, 3/8/1943

Mesuriadau

Uchder (cm): 35.7

Lled (cm): 45.8

Uchder (in): 14

Lled (in): 18

Techneg

Oil on canvas

Techniques (fine art)

Art dept - fine

Fine Art - painting

Deunydd

Oil

Canvas

Lleoliad

on display

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

HOWARD-JONES, Ray

(1950 ca)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: SUSCHITZKY, Wolfgang

(1950s)

© Wolfgang Suschitzky/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: SUSCHITZKY, Wolfgang

(1950s)

© Wolfgang Suschitzky/Amgueddfa Cymru

Amgueddfa Cymru

BELLEROCHE, Albert Gustavus, Count de

(20th century - (first half))

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1978-1979)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

TURNER, Joseph Mallord William

(1794-1795)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

DAVIES, Tim

(2003)

© Tim Davies/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1998)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1963)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2007)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Llyfr Braslunio: Ynys Môn, Ynys Lawd

PRENDERGAST, Peter

(2002-2004)

© Ystad Peter Prendergast/DACS/Derek Williams Trust/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: BEATON, Cecil

(Unknown)

Amgueddfa Cymru

<p>Full title: Aberfan Coal Slip Disaster. Two surviving children stand at the top of the hill overlooking the miners digging to find children still buried in the slag. Over one hundred children in the apparent safety of their school were buried under the waste of a sliding coal tip.</p>

Photographer: HURN David

(1966)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: MARLOW Peter

(2000)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>

SMITH, John "Warwick"

(1785)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1943)

© Ystâd Graham Sutherland/Amgueddfa Cymru