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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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En
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Dish

Cambrian Pottery (Painter)
PARDOE, Thomas (Painter)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Dish, pearlware, oval shape with squared-off foot-rim and curving sides, two concave indents to the rim at either end of the dish; painted in black with to the centre of the well a scene showing in the foreground two figures on horseback wading across a stream, in the distance a large country house, thick overhanging trees to either side of the scene, a gilt band around the well outside the scene, border to the rim of black diamonds on a pink ground, a pink ball to the centre of each diamond, a gilt band to the top and bottom of this border, a black band to the outer rim.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 30469

Creu/Cynhyrchu

Cambrian Pottery
Established in Swansea in 1764, the Cambrian Pottery reached its creative peak under the proprietorship of Lewis Weston Dillwyn (1778-1855), who ran the Pottery (with a break between 1817 and 1824) from 1802 to 1836. Lewis Weston Dillwyn was a natural scientist, antiquarian, Member of Parliament, magistrate and landowner whose intellectual interests drove the Cambrian Pottery to become one of the most ambitious and artistically accomplished British potteries of the early 19th century. While the porcelain manufactured in Swansea between 1814 and 1825 justifies its reputation as among the finest of British porcelains, the pottery produced under Dillwyn’s ownership between 1802 and about 1809 was at its best an equally impressive achievement, most particularly that made for sale in the Pottery’s Cambrian Warehouse in London 1806-1808, the context for which this supper service was most likely created.
PARDOE, Thomas
Thomas Pardoe was employed as a painter at the Cambrian Pottery, Swansea, from about 1795 to 1809. He then worked freelance in Bristol before returning to Wales in the winter of 1820-21 where he decorated the remaining stock of porcelain at the Nantgarw China Works until his death.
Rôl: Production
Rôl: Factory
Rôl: Production
Rôl: Painter
Lle: Swansea
Cyfnod: 1800 ca

Derbyniad

Bequest, 10/12/1953

Mesuriadau

Uchder (cm): 3.5
Meithder (cm): 25.2
Lled (cm): 18.6
Uchder (in): 1
Meithder (in): 9
Lled (in): 7

Techneg

Press-moulded
Forming
Applied Art
Enamelled
Decoration
Applied Art
Gilded
Decoration
Applied Art
Glazed
Decoration
Applied Art

Deunydd

Pearlware
Enamel
Gilding
Glaze

Lleoliad

on display
Mwy

Tags


  • Celf Gymhwysol
  • Cerameg
  • Priddwaith
  • Priddwaith Cymru

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Frith, Margaret
(1997)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Figure
Production: HINE, Margaret
(1955 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Cup
Potter: MARKS, Margret (Grete)
(1945)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Figure
Production: HINE, Margaret
(1955 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Pot
Production: Blandino, Betty
(1975)
Amgueddfa Cymru
Figure group
Production: Barrett-Danes, Ruth
(1996)
© Ruth Barrett-Danes/Amgueddfa Cymru
Amgueddfa Cymru
Vase
Production: Davies, Lowri
(2011)
© Lowri Davies/Amgueddfa Cymru
Amgueddfa Cymru
Jug
Production: Keeler, Walter
(1994)
© yr artist/Amgueddfa Cymru
Amgueddfa Cymru
Ffurf siâp cod
Production: Tower, James
(1985)
© ystâd yr artist/Amgueddfa Cymru
Amgueddfa Cymru
<p>Bowl, stoneware, conical on a turned foot, decorated inside with birds and stars and outside with a face, all incised through a cream-coloured slip.</p>
Maker: YARROW, Catherine
(1935-1940)
© Catherine Yarrow/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Floating cinerary jar with cover in orange-brown Etruria marl with visible inclusions, unglazed, the ground formed of a wooden base and back covered with buff-coloured Venetian plaster, the jar with a flat base and oval cross-section, tapering sides and flat shoulders with circular inset cover, the body has two evenly spaced, concentric, horizontal 'ribs' around its circumference, these have been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>
Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Floating cinerary jar with cover in dark grey Petersen Tegl stoneware body with large grit inclusions, the ground formed of a wooden base and back covered with light grey Venetian plaster, the jar with a flat unglazed base and circular cross-section, tapering sides and flat shoulders with circular inset cover, the body has a single concentric, horizontal 'rib' around its circumference appproximately half way up the body, which has been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>
Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Frith, David
(1997)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Pot, coffee and cover
Production: Cooper, Susie Wedgwood, Josiah, and Sons Ltd Susie Cooper China Ltd
(1968)
Amgueddfa Cymru
[No title]
Maker: Suttie, Angus
(1986)
© Ystâd y diweddar Angus Suttie/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Floating cinerary jar with cover in white, glazed porcelain, the ground formed of a wooden base and back covered with very dark grey Venetian plaster, the jar with a flat unglazed base and broadly triangular cross-section, tapering sides and flat shoulders with circular inset cover, the body has two evenly spaced, concentric, horizontal 'ribs' around its circumference, these have been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>
Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Cup and saucer
Production: Cooper, Susie Wedgwood, Josiah, and Sons Ltd Susie Cooper China Ltd
(1968)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Jug
Production: Cooper, Susie Wedgwood, Josiah, and Sons Ltd Susie Cooper China Ltd
(1968)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Cup and saucer
Production: Cooper, Susie Wedgwood, Josiah, and Sons Ltd Susie Cooper China Ltd
(1968)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Cup and saucer
Production: Cooper, Susie Wedgwood, Josiah, and Sons Ltd Susie Cooper China Ltd
(1968)

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