[No title] | Gwaith Celf | Celf ar y Cyd

Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis

Gosodiadau

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

Derbyn

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

Derbyn

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

Derbyn

Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

EVANS, Merlyn

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 14206

Creu/Cynhyrchu

1910-1973

Rôl: Artist

Cyfnod: 1936

Derbyniad

Purchase, 25/10/1943

Mesuriadau

h(cm) sight size:74.6

h(cm)

w(cm) sight size:54.2

w(cm)

h(cm) frame:99.1

h(cm)

w(cm) frame:68.6

w(cm)

Techneg

Conté crayon on paper

Drawings and watercolours

Fine Art - works on paper

Deunydd

Conté crayon

Paper

Lleoliad

In store - verified by CT

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: SUSCHITZKY, Wolfgang

(1950s)

© Wolfgang Suschitzky/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1998)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: The Original Dog Beach in San Diego, CA is nationally famous and one of the first official leash-free beaches in the United States. It is a landmark in the community of Ocean Beach.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BRODZKY, Horrace GAUDIER-BRZESKA, Henri (after)

© Horrace Brodzky/Amgueddfa Cymru

Amgueddfa Cymru

MILES, Arthur

(1973)

© Arthur Miles/Amgueddfa Cymru

Amgueddfa Cymru

NASH, David

© David Nash. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>

FINNEMORE, Peter

(2019)

© Peter Finnemore/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: RICHARDS, Eugene

(1988)

© Richards Eugene/Amgueddfa Cymru

Amgueddfa Cymru

JONES, Allen MARLBOROUGH GRAPHICS

(1971)

© Allen Jones/Amgueddfa Cymru

Amgueddfa Cymru

HALL, Edna Clarke

(1914-1918)

© Edna Clarke Hall//Gail Clarke HallAmgueddfa Cymru - Museum Wales

Amgueddfa Cymru

HALL, Edna Clarke

© Edna Clarke Hall//Gail Clarke HallAmgueddfa Cymru - Museum Wales

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Bottle with stopper, red stoneware, squared cylindrical body, short narrow neck, flat-topped stopper; grey speckled glaze with a blue flash on top of the stopper, incised diagonal lines in alternating orientations on the four sides and the top of the stopper.</p>

Potter: Vasegaard, Gertrud

(1940-1949)

Amgueddfa Cymru

JONES, Thomas

(1777 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

LOWRY, L.S

(1919)

© Ystâd L.S. Lowry. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Gondolïwr Gwallgof

DAVIE, Alan

(1960)

© Alan Davie/Amgueddfa Cymru

Amgueddfa Cymru

MURRAY, William Grant

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

WADSWORTH, Edward Morland Press Limited Herbert Furst, Little Art Rooms, London

(1920 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

WHISTLER, James Abbot McNeill

© Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru