This work is framed, however there are also 4 unframed works, 3/100, 4/100. 5/100, 6/100 two figures | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

This work is framed, however there are also 4 unframed works, 3/100, 4/100. 5/100, 6/100

two figures

HOLLAND, Harry

This work is framed, however there are also 4 unframed works, 3/100, 4/100. 5/100, 6/100

two figures

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 25658

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

b. 1941

Rôl: Artist

Cyfnod: 1981

Derbyniad

Gift, 11/11/2002

Mesuriadau

h(cm) image size:15.2

h(cm)

w(cm) image size:16.2

w(cm)

Uchder (cm): 57

Lled (cm): 37.7

Techneg

Aquatint and etching on paper

Aquatint

Intaglio printing

Prints

Fine Art - works on paper

Deunydd

Ink

Paper

Lleoliad

In store - verified by HC

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BAXTER, George

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

Gleiniau Aur ar Ymdrochwraig mewn Olew

Photographer: DEWE MATHEWS Chloe

(2017)

© Chloe Dewe Mathews/Amgueddfa Cymru

Amgueddfa Cymru

BLOCH, Martin

(1952)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

BRITISH SCHOOL, 20th Century

© unknown/Amgueddfa Cymru - Museum Wales

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1984)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: KUBOTA Hiroji

(2016)

© Hiroji Kubota / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Publisher: Manchester City Art Gallery

(1972)

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SIGNAC, Paul

(1918)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

COX, David

(1806 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: WILSON, Mo

(1989)

Amgueddfa Cymru

MATTHEWS, Doris

(1930)

© Doris Matthews/Amgueddfa Cymru

Amgueddfa Cymru

ROUAULT, Georges lL'Éoile Filante, Paris Aulard, Paris

(1923)

© ADAGP, Paris a DACS, London 224/Amgueddfa Cymru

Amgueddfa Cymru

Cwch yn rhydu ym Môr Caspia, Azerbaijan

Photographer: ARTHUR, Olivia

(2006)

© Olivia Arthur / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Llosgfynydd cwsg yn Anialwch Atacama yng Ngogledd Chile o gyfeiriad y fynwent. San Pedro de Atacama, Chile

Photographer: Peter, VAN AGTMAEL

(2014)

© Peter Van Agtmael / Magnum Photos / Amgueddfa Cymru