Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis
Gosodiadau

Gosodiadau Cwcis

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

 

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

 

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

 
 
Gweld ein Polisi Cwcis
×

Image filter options
Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

Tuag at Larnog Gaeaf / Gwanwyn '93/94

SETCH, Terry
Tuag at Larnog Gaeaf / Gwanwyn '93/94
Delwedd: ©Terry Setch/Amgueddfa Cymru
 Chwyddo

Defnyddiodd yr artist dywod, llaid, olew a sbwriel a olchwyd i'r lan ar draeth Penarth yn ogystal â defnyddiau arlunio mwy cyffredin. Mae'r panelau'n cynnwys wyth fersiwn o ymateb arlunydd arall i'r un olygfa: Y Clogwyn ym Mhenarth a dynnwyd gan Alfred Sisley ym 1897. Mae ansefydlogrwydd hanfodol llun Setch yn dwysáu'r themáu o dreigl amser, breuder amgylchedd yr arfordir a'r ffordd y mae'n newid drwy'r amser.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 5625

Creu/Cynhyrchu

SETCH, Terry
b. 1936
Rôl: Artist
Cyfnod: 1994

Derbyniad

Purchase, 17/10/1997

Mesuriadau

h(cm) overall:243
h(cm)
w(cm) overall:487
w(cm)
Uchder (cm): 243
Lled (cm): 60

Techneg

Mixed media on board
Techniques (fine art)
Art dept - fine
Fine Art - painting

Deunydd

Mixed media
Synthetic backing board

Lleoliad

on display
Mwy

Tags


  • Artistiaid Y 21Ain Ganrif
  • Celf Gain
  • Cysylltiad Cymreig
  • Paentiad
  • Tirwedd
  • Ôl 1900
  • Ôl 1945

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
ELIAS, Ken
(1970-1978)
© Ken Elias/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JONES GRIFFITHS, Philip
(1967)
© Philip Jones Griffiths / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Llosgfynydd cwsg yn Anialwch Atacama yng Ngogledd Chile o gyfeiriad y fynwent. San Pedro de Atacama, Chile
Photographer: Peter, VAN AGTMAEL
(2014)
© Peter Van Agtmael / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1969)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Single section pamphlet, 3 holw sewn with green thread 18 leaves, 1 insert between leaves 13 and 14. </p> <p>p1 Study of an animal (dog) p2 Study of a puma p3 Study of a puma p4 Study of Indian Wolf p5 Study of puma p6 Study of Indian wolves p7 Study of Indian Wolves p8 Study of dog p9 Study of domestic dog p10 Study of a camel p11 Study of deers p12 Study of a deer I Study of a dog p13 Study of deers p14 Study of deers p15 Study of deers p16 Study of monkeys p17 Study of giraffes p18 Study of a deer p19 Study of animals</p>
JONES, David
(1926)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BONNOR, John Houghton Maurice
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: Peter, VAN AGTMAEL
(2008)
© Peter Van Agtmael / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: The Sisters of Mercy are an international community of Roman Catholic women religious vowed to serve people who suffer from poverty, sickness and lack of education. They participate in the life of the surrounding community. In keeping with their mission many sisters engage in teaching, medical care, and community programs.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1980)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2002)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1997)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1961)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1971)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
REDDICK, Peter
© Peter Reddick/Amgueddfa Cymru
Amgueddfa Cymru
<p>This figure of a naked youth stands on his right leg, his face is contorted with pain as he holds his raised left leg, bent at the knee. The source of the pain, a small crab, lies next to his right foot. The Indian sculptor, Bose, achieved exceptional success during his short lifetime, although he first had to travel to Scotland where he also receive Welsh support. During the nineteenth century, Indian art students were mainly taught through indoctrinated academic western systems. After attending the Calcutta Art School, Bose left India aged sixteen to further his education. Having failed to secure a place at an Italian or London academy, he was eventually offered a place at the Board of Manufacturers School of Art in Edinburgh. Here, he won several awards including a travel scholarship that allowed him to visit Paris and meet Rodin. His outstanding talents were clearly recognised by his examiners, including the Welsh sculptor, William Goscombe John. John was a keen supporter of Bose and purchased from him, Boy in Pain and The Hunter (also in AC-NMW collection). In 1926, just as the continuing Indian campaign for independence was gaining momentum, Bose was elected to the Scottish Royal Academy. During his acceptance speech, Bose claimed his honour was “proof […] that the Scottish people had no intention of restricting the legitimate aspirations of the people of India.”</p>
BOSE, Fanindra Nat
(1913)
Trwy ganiatâd Amgueddfa Cymru

  • Gweithiau Celf
  • Themâu
  • Projectau ac Arddangosfeydd
  • Erthyglau Cynfas
  • Dysgu

Y Wefan

  • Amdanom Ni
  • Mynediad
  • Cwestiynau cyffredin
  • Hawlfraint
  • Cwcis

CYSYLLTWCH Â Ni

  • Cysylltwch â ni
  • Instagram @celfarycyd
× ❮ ❯