Tuag at Larnog Gaeaf / Gwanwyn '93/94 | Gwaith Celf | Celf ar y Cyd

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Tuag at Larnog Gaeaf / Gwanwyn '93/94

SETCH, Terry

Defnyddiodd yr artist dywod, llaid, olew a sbwriel a olchwyd i'r lan ar draeth Penarth yn ogystal â defnyddiau arlunio mwy cyffredin. Mae'r panelau'n cynnwys wyth fersiwn o ymateb arlunydd arall i'r un olygfa: Y Clogwyn ym Mhenarth a dynnwyd gan Alfred Sisley ym 1897. Mae ansefydlogrwydd hanfodol llun Setch yn dwysáu'r themáu o dreigl amser, breuder amgylchedd yr arfordir a'r ffordd y mae'n newid drwy'r amser.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 5625

Creu/Cynhyrchu

b. 1936

Rôl: Artist

Cyfnod: 1994

Derbyniad

Purchase, 17/10/1997

Mesuriadau

h(cm) overall:243

h(cm)

w(cm) overall:487

w(cm)

Uchder (cm): 243

Lled (cm): 60

Techneg

Mixed media on board

Techniques (fine art)

Art dept - fine

Fine Art - painting

Deunydd

Mixed media

Synthetic backing board

Lleoliad

on display

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Dish

Production: Campbell, James

(2006)

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

GILLRAY, James Humphrey, H

(1797)

Amgueddfa Cymru

Photographer: BRANDT, Bill

(Unknown)

© Bill Brandt/Amgueddfa Cymru

Amgueddfa Cymru

GARDNER, Sally

© Sally Gardner/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1943)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

<p>In 'Laura Knight at Theatre' (Unicorn Press, 2008) Timothy Wilcox writes:</p> <p>The figures in this dressing room scene have not been conclusively identified, but the foreground figure is likely to be Lopokhova, in the costume of Columbine in Carnaval. The flounced dress was decorated with a motif of cherries around the hems, which Knight, as often elsewhere, renders more simply.</p>

KNIGHT, Laura

(1923)

© Ystâd Laura Knight. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Various names, dates, places, music</p>

PARRY, John Orlando

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Cup, cabinet and saucer

Production: Nantgarw China Works

(1818-1820)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Several pages inscribed with locations, names and verses.</p>

PARRY, John Orlando

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Several pages are inscribed with names, quotations, places and dates; incl 1876 (fol 19).</p>

PARRY, John Orlando

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Insribed with various names, dates and places.</p>

PARRY, John Orlando

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Vase

Designer: Burges, William Unknown

(1874 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Peter, De WINT

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Mae’r portread hyn yn dangos Williams fel dramodydd. Ganed Williams ym Mostyn, Sir y Fflint a chafodd ei addysg ym Mhrifysgol Rhydychen. Ymddangosodd ar lwyfan am y tro cyntaf ym 1927, ond daeth yn llwyddiannus dros nos gyda Night Must Fall (1935), drama gyffrous a ysgrifennwyd ganddo ac y bu’n serennu ynddi. Ymddangosodd Williams hefyd mewn llu o ffilmiau a dramâu radio. Mae ei sioeau llenyddol un dyn, genre theatraidd a ddyfeisiodd ei hun i raddau helaeth, wedi dod yn chwedlonol. Cafodd Williams ei gydnabod yn gyhoeddus fel dyn deurywiol cyn llawer o’i gyfoeswyr, ac ysgrifennodd yn agored am ei rywioldeb yn ei ddau hunangofiant.</p>

McBEAN, Angus

(1938)

© Angus Mcbean/Amgueddfa Cymru