[No title] | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

UGLOW, Euan

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 22030

Creu/Cynhyrchu

1932-2000

Rôl: Artist

Cyfnod: 1953

Derbyniad

Gift

Mesuriadau

Uchder (cm): 56.2

Lled (cm): 76.3

Techneg

Pencil and biro on paper

Deunydd

Pencil

Biro

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>two figures</p>

HOLLAND, Harry

(1979)

© Harry Holland/Amgueddfa Cymru

Amgueddfa Cymru

<p>abstract</p>

DENNY, Robyn

(1966)

© Ystâd Robyn Denny. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

STEELE, Jeffrey

© Jeffrey Steele Estate/Amgueddfa Cymru

Amgueddfa Cymru

<p>Welsh dragon's head</p>

HUDSON, Tom

(20th century - (second half))

© Tom Hudson/Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

(1980)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

<p>Symudodd David Tress i Sir Benfro ym 1976. Mae ei dirluniau wedi newid dros amser wrth i’w dechnegau ddatblygu. Mae’r papurau wedi’u gosod mewn haenau, eu crafu a’u rhwygo, ac yna eu hel at ei gilydd, cyn cael eu golchi â dyfrlliw, inc a phastel olew. Mae’r technegau amrywiol hyn yn cynrychioli elfennau o’r dirwedd, fel y tywydd, erydiad a goleuni.</p>

TRESS, David

© David Tress/Amgueddfa Cymru

Amgueddfa Cymru

POYNTER, Sir Edward

(19th century (late))

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>

FINNEMORE, Peter

(2019)

© Peter Finnemore/Amgueddfa Cymru

Amgueddfa Cymru

<p>Cafodd Hoyland ei hyfforddi yn Ysgolion yr Academi Frenhinol a daeth dan ddylanwad Mynegiadaeth Haniaethol yn ystod ymweliad â'r Unol Daleithiau. Ers iddo ddod yn amlwg ym 1961, mae wedi gweithio fel peintiwr haniaethol ac fel un o feistri lliw blaenaf Prydain. Yn y cyfansoddiad byrlymus hwn, mae'r cynfas wedi ei rannu ar draws a'r naill hanner yn gwadu'n ffurfiol y syniadau a fynegir yn yr hanner arall. Efallai mai llygriad o'r Lladin 'ligea', sy'n golygu 'duwies y coed', yw'r teitl.</p>

HOYLAND, John

(1978)

© Ystâd John Hoyland. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

CARO, Sir Anthony

(1975)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

WILLIAMS, Grenville "GREN"

(1988)

Amgueddfa Cymru

LANYON, Peter

(1961)

© Ystâd Peter Lanyon. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

ADAMS, Mac

(20th century - (second half))

© Mac Adams/Amgueddfa Cymru

Amgueddfa Cymru

SMITH, Bob & Roberta

(2008)

©Bob and Roberta Smith/Amgueddfa Cymru

Amgueddfa Cymru

ADAMS, Mac

(1984)

© Mac Adams/Amgueddfa Cymru

Amgueddfa Cymru

CAULFIELD, Patrick

© Ystâd Patrick Caulfield. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

CAULFIELD, Patrick

© Ystâd Patrick Caulfield. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru