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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
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Nôl Gwaith Celf Nesaf

[No title]

SINCLAIR, Nicholas
[No title]
Delwedd: © Nicholas Sinclair. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 27066

Creu/Cynhyrchu

SINCLAIR, Nicholas
b. 1954
Rôl: Artist
Cyfnod: 1987-2003

Derbyniad

Purchase, 5/10/2004

Mesuriadau

h(cm) image size:35.3
h(cm)
w(cm) image size:35.7
w(cm)
Uchder (cm): 50.6
Lled (cm): 40.8

Techneg

Black and white photograph
Photograph
Fine Art - works on paper

Deunydd

Gelatin print
Paper

Lleoliad

In store - verified by CT
Mwy

Tags

  • Artistiaid Y 21Ain Ganrif
  • Celf Gain
  • Cysgu
  • Dyn
  • Gweithiau Ar Bapur
  • Het
  • Portread Arlunydd
  • Portread Wedi'i Enwi

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
Photographer: HURN David
(1964)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>
FINNEMORE, Peter
(2019)
© Peter Finnemore/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHNSON, Nerys
(1991)
© Ystâd Nerys Johnson/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: MORGAN, Llew. E.
Amgueddfa Cymru
[No title]
William, MOORE Jnr.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Paul, SANDBY,
(1788)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Paul, SANDBY,
(1788)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Paul, SANDBY,
(1788)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Paul, SANDBY,
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Paul, SANDBY,
(1788)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Eithin Gwyrdd, Cwm Gwyllog, Ffynnonofi, Sir Benfro
PERRY, Mike
(2003)
© Mike Perry/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOARE, Sir Richard Colt
(1800 ca)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SMITH, W. Eugene
(1950)
© W. Eugene Smith/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
INCE, Joseph Murray
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GRIFFITH, Moses WILSON, W.C.
(1792)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>seated nude female facing right</p>
RATHMELL, Thomas
(1977)
© Thomas Rathmell/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1963)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HERMES, Gertrude
(1932)
© Gertrude Hermes/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Two Marines out of FOB Sharp talk to the child of a Taliban suspect. The intelligence sergeant asked the child if his father went by any aliases. The interpreter, a native Pashtun speaker who was raised in California, didn't translate and replied 'I think he just knows him as dad.' The child started crying and they let him go. The sergeant later claimed that the tears were manufactured.</p>
Photographer: Peter, VAN AGTMAEL
(2009)
© Peter Van Agtmael / Magnum Photos / Amgueddfa Cymru

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