Circular refractory tile, unglazed buff stoneware.

Nôl Gwaith Celf Nesaf

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 39631

Creu/Cynhyrchu

Rôl: Pottery

Lle: Japan

Cyfnod: 2018

Derbyniad

Gift, 25/6/2018

Mesuriadau

diam (cm): 20.8

Uchder (cm): 0.7

Techneg

Wheel-thrown

Forming

Applied Art

Cut

Decoration

Applied Art

Deunydd

Stoneware

Lleoliad

In store

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

[No title]

HOWARD-JONES, Ray

(1978)

Amgueddfa Cymru

[No title]

KRAGULY, Radovan

(1963)

Amgueddfa Cymru

[No title]

LEWIS, Fredrick Christian

(19th century)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

Photographer: SNOWDON, Anthony Armstrong-Jones, Lord

(1998)

©Lord Anthony Armstrong-Jones Snowdon/Amgueddfa Cymru

Amgueddfa Cymru

[No title]

SMITH, John "Warwick"

(1790)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

figure in a street

RATHMELL, Thomas

(1938)

Amgueddfa Cymru

[No title]

AMES, Jeremiah

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

DENT, R. Stanley

Amgueddfa Cymru

View of Newport with river through centre

RATHMELL, Thomas

Amgueddfa Cymru

This figure of a naked youth stands on his right leg, his face is contorted with pain as he holds his raised left leg, bent at the knee. The source of the pain, a small crab, lies next to his right foot. The Indian sculptor, Bose, achieved exceptional success during his short lifetime, although he first had to travel to Scotland where he also receive Welsh support. During the nineteenth century, Indian art students were mainly taught through indoctrinated academic western systems. After attending the Calcutta Art School, Bose left India aged sixteen to further his education. Having failed to secure a place at an Italian or London academy, he was eventually offered a place at the Board of Manufacturers School of Art in Edinburgh. Here, he won several awards including a travel scholarship that allowed him to visit Paris and meet Rodin. His outstanding talents were clearly recognised by his examiners, including the Welsh sculptor, William Goscombe John. John was a keen supporter of Bose and purchased from him, Boy in Pain and The Hunter (also in AC-NMW collection). In 1926, just as the continuing Indian campaign for independence was gaining momentum, Bose was elected to the Scottish Royal Academy. During his acceptance speech, Bose claimed his honour was “proof […] that the Scottish people had no intention of restricting the legitimate aspirations of the people of India.”

BOSE, Fanindra Nat

(1913)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

girl combing her hair in fron of a mirror

SELWAY, John

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

Photographer: WILSON, Mo

(1989)

Amgueddfa Cymru

[No title]

TURNER, Joseph Mallord William

(1834 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

HOLLOWAY, Edgar

(1932)

Amgueddfa Cymru

[No title]

GOYA, Francisco Jose de

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

MATTHEWS, Doris

(20th century)

Amgueddfa Cymru

[No title]

MATTHEWS, Doris

(1920-1930)

Amgueddfa Cymru

Dyn a’i gi, 1993 ger Pontypridd

Photographer: JONES GRIFFITHS, Philip

(1993)

Amgueddfa Cymru

[No title]

HURN David

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

Photographer: MORGAN, Llew. E.

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