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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

MALTHOUSE, Eric
[No title]
Delwedd: © Eric Malthouse/Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 18689

Creu/Cynhyrchu

MALTHOUSE, Eric
1914-
Rôl: Artist

Derbyniad

Purchase, 19/7/1973

Mesuriadau

Uchder (cm): 10.6
Lled (cm): 29
Uchder (cm): 10.6
Lled (cm): 58

Techneg

Pencil on paper

Deunydd

Pencil
Paper

Lleoliad

In store
Mwy

Tags

  • Braslun
  • Celf Gain
  • Cysylltiad Cymreig
  • Darlun
  • Gweithiau Ar Bapur
  • Haniaethol
  • Ôl 1900
  • Ôl 1945

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Paul, SANDBY,
(1788)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Paul, SANDBY,
(1788)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1992)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1975)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: The Pier Walk is an ancient University tradition in which all students can take part. On Sundays (and some special occasions), students meet in St Salvator’s Quad before walking down to the harbour wearing their gowns – the reason for this custom is lost in the mists of time! Gowns encouraged but not compulsory.</p>
Photographer: HURN David
(1967)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1980)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
AMMAN, Jost
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EDWARDS, Sydenham T.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EDWARDS, Sydenham T.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EDWARDS, Sydenham T.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EDWARDS, Sydenham T.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Label from '[un]seen [un]heard]' display intervention 2020: "This bust is a portrait of Paul Robeson an African American athlete, performing artist and activist created by Jamaican-born fellow Black artist Ronald Moody. During his time spent in Britain, Robeson developed a deep bond with the labour movement and was particularly supportive of the miners of Wales." </p> <p>This portrait was commissiond by the DDR Akademie der Kunst, Berlin, but political mayhem forced them to renege. Despite this and Robeson's unpredictability as a sitter, it was ready in time for the SPS 'Human Rights' exhibition.</p> <p>This dramatic head was the last of five portraits in this medium, which are essays in the juxtaposition of textural effects and patins. In each, the skin has the nubbly surface, developed during the artist's experimentation with concrete, but in these works it is more varied and much finer and contrasts subtly with other textures he achieves. Here honeycomb texture of the hair compliments the heavier texture of the skin, infusing the whole with immense tactility.</p>
MOODY, Ronald Clive
(1968)
© The Ronald Moody Trust/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GRIFFITH, Moses
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: On the Doc Bar Ranch is a line of 40 year old Cadillacs half buried in the ground. They are exactly following the line of the San Adreas Fault and one of the few visible signs of exactly where the fault lies. They have now become a local tourist attraction and have been elevated to become works of art. Actually they were put there to protect the bank of the small river.</p>
Photographer: HURN David
(1991)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1963)
© David Hurn / Magnum Photos / Amgueddfa Cymru

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