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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

MALTHOUSE, Eric

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 25941

Creu/Cynhyrchu

MALTHOUSE, Eric

1914-

Rôl: Artist

Cyfnod: 1967 ca

Derbyniad

Gift, 11/11/2002

Mesuriadau

Uchder (cm): 15.8

Lled (cm): 17.8

Techneg

Ink on paper

Drawings and watercolours

Fine Art - works on paper

Ink and wash on paper

Ink on paper

Drawings and watercolours

Fine Art - works on paper

Deunydd

Ink

Paper

Lleoliad

In store - verified by C STEAD

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

ALGEGRAVER, Heinrich

(1900 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

RIGAUD, Stephen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SANDYS, Frederick

(1872)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1993)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Dros y deugain mlynedd diwethaf mae'r ffotograffydd David Hurn wedi canolbwyntio ar ddogfennu ei wlad enedigol mewn ymgais i ganfod gwir ystyr 'diwylliant' Cymru. Mae'r ddelwedd hon yn cynnig cipolwg ar fywyd bob dydd Cymoedd y De yn y 1990au.</p>

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1984)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Bowl

Production: Yasuda, Takeshi

(1999)

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1989)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Tra’r oedd yn Ysgol Gelf Slade yn Llundain, byddai Gwen John wedi astudio cerflunwaith yn yr Ystafell Hynafolion. Ym Mharis, parhaodd ei diddordeb mewn cerflunio ar ôl iddi gwrdd â’r artist Auguste Rodin. Astudiaeth yw hon o farmor hynafol yn Amgueddfa'r Louvre ym Mharis. Seiliodd Rodin ffigwr yn un o’i gerfluniau ar yr un gwaith.</p>

JOHN, Gwen

(1908-1912)

Amgueddfa Cymru

IRVIN, Albert

(1987)

© Ystâd Albert Irvin. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

DUNCAN, Edward

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>

Photographer: FERRATO Donna

(1996)

© Donna Ferrato/Amgueddfa Cymru

Amgueddfa Cymru

BRANGWYN, Frank William

© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

DAVIS, John Scarlett

(1822)

Trwy ganiatâd Amgueddfa Cymru