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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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[No title]

MARLOW Peter (Photographer)
[No title]
Delwedd: © DACS 2025/Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 55298

Creu/Cynhyrchu

MARLOW Peter
Born in Kenilworth, England, Marlow studied psychology at Manchester University, graduating in 1974. He began his photography career in 1975 working on an Italian cruise liner in the Caribbean before joining the Sygma news agency in Paris in 1976. In the late 1970s Marlow worked in Northern Ireland and Lebanon, but soon found that the competition of photojournalism did not suit him. He returned home to Britain, and worked in Liverpool on an eight-year project, Liverpool – Looking Out To Sea. He became associated with Magnum Photos in 1980 and became a full member in 1986. Alongside Chris Steele-Perkins, he founded Magnum's London office in 1987. He served as the agency's president twice and was vice-president numerous times. "The photographer Martin Parr said it was “difficult to overestimate” Marlow’s contribution to Magnum". He also worked regularly for The Sunday Times in the mid-1980s. In 1991 he received an assignment from the Somme department in France to photograph Amiens. Later he began to work abroad again, travelling to Japan, the United States, and other parts of Europe. His later photography is primarily in color. Though well known for his depictions of places, Marlow also documented politics with a collaboration with Tony Blair. Marlow died on 21 February 2016 from influenza contracted during a stem cell transplant as a treatment for multiple myeloma. [Source text: Magnum Photos]
Rôl: Photographer
Lle: Liverpool
Cyfnod: 1986

Derbyniad

Gift, 25/4/2017

Mesuriadau

h(cm) image size:20.5
h(cm)
w(cm) image size:30.6
w(cm)
h(cm) paper:28
w(cm) paper:35.7

Techneg

Gelatin silver print

Deunydd

Paper

Lleoliad

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Tags


  • Artistiaid Y 21Ain Ganrif
  • Cartref
  • Celf Gain
  • Dyn
  • Ffotograff
  • Gweithiau Ar Bapur
  • Teledu

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
BRANGWYN, Frank William
© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MARINOT, Maurice
(1947)
© Maurice Marinot/Merat Vincent/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1997)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: DWORZAK Thomas
(2016)
© Thomas Dworzak / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: CHAPMAN, Chris
(1976)
© Chris Chapman/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2004)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>
Photographer: HURN David
(1980)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: KEETMAN, Peter
(1969)
© Peter Keetman/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: ARNOLD, Eve
(1960)
© Eve Arnold / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
YARROW, Catherine
(1935)
© Catherine Yarrow/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
OWEN, Will
© Will Owen/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
UGLOW, Euan
(1953)
© Ystâd Euan Uglow. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1973)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: FUSCO Paul
(1968)
© Paul Fusco / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: MURTHA Tish
(1981)
Amgueddfa Cymru
[No title]
Photographer: ECONOMOPOULOS Nikos
(2015)
© Nikos Economopoulos / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David Golden Cockerel Press
(1926)
© Jonah Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BARKER of Bath, Thomas
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