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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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Amdanom Ni Cysylltwch â ni
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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

GILBERT, Sir Alfred
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 17152

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

GILBERT, Sir Alfred
1854-1934
Rôl: Artist
Cyfnod: 1920 ca

Derbyniad

Purchase, 11/7/2001

Mesuriadau

Uchder (cm): 36.9
Lled (cm): 12.5
Dyfnder (cm): 10.3
Uchder (cm): 10.4
Lled (cm): 15.5
Dyfnder (cm): 15.5
Uchder (in): 14
Lled (in): 4
Dyfnder (in): 4
Uchder (in): 4
Lled (in): 6
Dyfnder (in): 6

Techneg

Bronze
Techniques (sculpture)
Fine Art - sculpture

Deunydd

Bronze with brown patina
Wood

Lleoliad

In store
Mwy

Tags


  • Celf Gain
  • Cerflun
  • Crefydd A Chred
  • Ffurf Benywaidd

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>two figures</p>
HOLLAND, Harry
(1979)
© Harry Holland/Amgueddfa Cymru
Amgueddfa Cymru
Yr Ochr Arall (rhan)
Production: Geng Xue
(2009)
© Geng Xue/Amgueddfa Cymru
Amgueddfa Cymru
<p>female with basket</p>
BASSETT, Vera
(20th century)
© Vera Bassett/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
REMBRANDT, Harmensz van Rijn
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
BJORNSEN, Maria
Amgueddfa Cymru
[No title]
Photographer: DAVIES, Huw
(2007)
© Huw Davies/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CHALON, A.E.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2012)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HURN David
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Super Furry Animals, gefn llwyfan yn y Gyfnewidfa Lo, Caerdydd (20 Tachwedd 2009)
KEYWORTH, Sophie
(2009)
© Sophie Keyworth/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David
(1924)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PROUT, Samuel
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOLLAND, Harry
© Harry Holland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MALTHOUSE, Eric
(1952)
© Eric Malthouse/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SANDYS, Frederick
(1860 ca)
Trwy ganiatâd Amgueddfa Cymru

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