[No title]

Garry, FABIAN MILLER

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 57876

Creu/Cynhyrchu

Garry, FABIAN MILLER

Rôl: Artist

Lle: Clevedon, Somerset

Lle: Severn Estuary

Cyfnod: 1976-1977

Mesuriadau

h(cm) image size:48.4

h(cm)

w(cm) image size:48

w(cm)

h(cm) paper size:61

w(cm) paper size:50.4

Techneg

Cibachrome print

Deunydd

Photographic paper

Lleoliad

In store

Caiff Casgliadau Arlein ei ddiweddaru yn rheolaidd, ond gwnewch yn si’r bod eitem yn dal i gael ei arddangos cyn ymweld yn arbennig.

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

[No title]

Paul, SANDBY,

(1777)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

NICOL, Philip

(1977)

Amgueddfa Cymru

Jug

Production: PICASSO, Pablo Madoura Pottery

(1954)

Amgueddfa Cymru

red nail varnish? ?Helena Rubinstein

SUTHERLAND, Graham Vivian

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Ring

Production: Astrahan, Ilene

(1965)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Bowl

Production: Rogers, Phil

(1996)

Amgueddfa Cymru

This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa. This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.

SMITH, John "Warwick"

(1785)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

HUGHES, Hugh

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

HARDWICK, W N

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

GASTINEAU, Henry

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

WALTERS, Evan

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2002)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(1967)

Amgueddfa Cymru

[No title]

EVERITT, Alan E.

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

Photographer: SANGUINETTI Alessandra

(2015)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2014)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

Sketchbook

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(1989)

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

[No title]

Manylion

Collection

Rhif yr Eitem

Creu/Cynhyrchu

Mesuriadau

Techneg

Deunydd

Lleoliad

Tags

Rhannu

Mwy fel hyn