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[No title]

JONES, David (Publisher)
Golden Cockerel Press (Publisher)
[No title]
Delwedd: © Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 2938

Creu/Cynhyrchu

JONES, David
1895-1974
Golden Cockerel Press
Rôl: Artist
Rôl: Publisher
Cyfnod: 1926

Derbyniad

Purchase, 7/12/1960

Mesuriadau

Uchder (cm): 17.7
Lled (cm): 20.3
Uchder (in): 7
Lled (in): 7

Techneg

Wood engraving on paper
Wood engraving
Relief printing
Prints
Fine Art - works on paper

Deunydd

Ink
Paper

Lleoliad

In store
Mwy

Tags


  • Celf Gain
  • Cristnogaeth
  • Cysylltiad Cymreig
  • Gweithiau Ar Bapur
  • Llong A Chwch
  • Môr
  • Printiau
  • Pysgod A Chreaduriaid Morol
  • Ôl 1900

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
WILLIAMS, Kyffin
© Llyfrgell Genedlaethol Cymru / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HALL, Edna Clarke
(1908)
© Edna Clarke Hall//Gail Clarke HallAmgueddfa Cymru - Museum Wales
Amgueddfa Cymru
<p>man in street</p>
DAVIES, Peter
(1975)
© Peter Davies/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SUSCHITZKY, Wolfgang
(1950s)
© Wolfgang Suschitzky/Amgueddfa Cymru
Amgueddfa Cymru
Cymru, Dinbych-y-pysgod
Photographer: PARR Martin
(2011)
© Martin Parr / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: PHILLIPS Gareth
(2017)
© Gareth Phillips/Amgueddfa Cymru
Amgueddfa Cymru
Bannau Brycheiniog
INCE, Joseph Murray
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PALMER, Samuel
(1879)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BRANGWYN, Frank William
© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SUSCHITZKY, Wolfgang
(1950s)
© Wolfgang Suschitzky/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
GWYNNE-JONES, Allan
Amgueddfa Cymru
[No title]
HOARE, Sir Richard Colt STORER, J
(1810)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Eithin Gwyrdd, Cwm Gwyllog, Ffynnonofi, Sir Benfro
PERRY, Mike
(2003)
© Mike Perry/Amgueddfa Cymru
Amgueddfa Cymru
<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>
Photographer: RANDALL Suze
(Unknown)
© Suze Randall/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: CARTIER-BRESSON, Henri
(1933)
© Foundation Henri Cartier-Bresson / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1993)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Dros y deugain mlynedd diwethaf mae'r ffotograffydd David Hurn wedi canolbwyntio ar ddogfennu ei wlad enedigol mewn ymgais i ganfod gwir ystyr 'diwylliant' Cymru. Mae'r ddelwedd hon yn cynnig cipolwg ar fywyd bob dydd Cymoedd y De yn y 1990au.</p>
Photographer: HURN David
(2014)
© David Hurn / Magnum Photos / Amgueddfa Cymru

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