[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

JONES, Jonah

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 19785

Creu/Cynhyrchu

Rôl: Artist

Cyfnod: 1956

Derbyniad

Gift, 2/7/2001

Mesuriadau

Uchder (cm): 35

Lled (cm): 21.3

Dyfnder (cm): 26

Uchder (cm): 5.2

Lled (cm): 12.7

Dyfnder (cm): 19.2

Techneg

Plaster painted to resemble bronze

Techniques (sculpture)

Fine Art - sculpture

Deunydd

Plaster

Paint

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

<p>Full title: The road from route 48 to Parkfield runs directly on the San Andreas Fault. Along its very fertile route are massive Walnut groves.</p>

Photographer: HURN David

(1991)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

MALTHOUSE, Eric

(1973)

© Eric Malthouse/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1968)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

KITT, Alwyn

© Alwyn Kitt/Amgueddfa Cymru

Amgueddfa Cymru

ELIAS, Ken

(1976)

© Ken Elias/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: UZZLE Burk

(1972)

© Burk Uzzle/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

(1902)

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

LEK, Karel

(20th century)

© Karel Lek/Amgueddfa Cymru

Amgueddfa Cymru

<p>Mae plant yn chwarae pêl o flaen y capel ar un o strydoedd serth y cymoedd. Paentiwyd yr olygfa hon tua 1960. Daeth yn ddelwedd hynod deimladwy wedi i 116 o blant gael eu lladd yn Aberfan pan lithrodd y domen lo. Yma, mae'r plant yn chwarae ger y capel yng nghysgod y domen ddu, yn symbol bregus o gymuned a dinistr ar y gorwel. Pa gemau ydych chi’n cofio eu chwarae’n blentyn? Sut mae pethau’n wahanol heddiw?</p>

SHORT, Denys

© Denys Short/Amgueddfa Cymru

Amgueddfa Cymru

Sculptor: ROBERTS-JONES, Ivor

(1994)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1995)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

HOYLAND, John

(1989)

© Ystâd John Hoyland. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

HOYLAND, John

(1989)

© Ystâd John Hoyland. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

DELLER, Jeremy KANE, Alan

(2008)

© Jeremy Deller/Amgueddfa Cymru

Amgueddfa Cymru

EVANS, Merlyn

(1950)

© Merlyn Oliver Evans/Amgueddfa Cymru

Amgueddfa Cymru

<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>

FINNEMORE, Peter

(2019)

© Peter Finnemore/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: SUSCHITZKY, Wolfgang

(1950s)

© Wolfgang Suschitzky/Amgueddfa Cymru

Amgueddfa Cymru

John Bryant, Asiant y Pwll, Hirwaun

CHAPMAN, W. J. (attributed to)

(1835-1840)

Trwy ganiatâd Amgueddfa Cymru