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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

WILSON, Richard (Engraver)
WHESSELL, John (Engraver)
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (3)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 10925

Creu/Cynhyrchu

WILSON, Richard
1714-1782 Richard Wilson, originally from Montgomeryshire, is often called ‘the Father of British landscapes’ for the key role he played in the development of the tradition, though he initially trained as a portrait painter. He became the first major artist to popularize images of Wales that went beyond topographical accuracy. Caiff Richard Wilson, sy’n wreiddiol o Sir Drefaldwyn, ei alw’n aml yn ‘Dad tirluniau Prydain’ am y rôl allweddol a chwaraeodd yn natblygiad y traddodiad, er iddo hyfforddi fel peintiwr portreadau i gychwyn. Ef oedd yr artist mawr cyntaf i boblogeiddio delweddau o Gymru oedd yn mynd y tu hwnt i gywirdeb topograffaidd.
WHESSELL, John
Whessell was mainly active in London and also published from St. Aldate's, Oxford
Rôl: Artist
Rôl: Engraver

Mesuriadau

h(cm) primary support:15.8
h(cm)
w(cm) primary support:11.8
w(cm)
h(cm) plate size:20.9
h(cm)
w(cm) plate size:15.8
w(cm)
h(cm) secondary support:26.1
h(cm)
w(cm) secondary support:20.9
w(cm)
h(in) primary support:6 1/4
h(in)
w(in) primary support:4 5/8
w(in)
h(in) plate size:8 1/4
h(in)
w(in) plate size:6 1/4
w(in)
h(in) secondary support:10 1/4
h(in)
w(in) secondary support:8 1/4
w(in)

Techneg

Soft ground etching on paper: India laid (proof)
Etching
Intaglio printing
Prints
Fine Art - works on paper

Deunydd

Soft ground etching
India laid paper

Lleoliad

In store - verified by BM
Mwy

Tags


  • Celf Gain
  • Gweithiau Ar Bapur
  • Nodiadau Artist
  • Printiau

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
GREEN, Peter
(1960)
© Peter Green/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1953)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
<p>garden</p>
MOORE, Leslie
(1969 ca)
© Leslie Moore/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOLLAND, Harry
(1978)
© Harry Holland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
Camlas Sir Forgannwg ac Ynysangharad
PETHERICK, John
(1854)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CLAUDE Gellée, Le Lorrain EARLOM, R Boydell, John
(1774)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SINCLAIR, Nicholas
(1987-2003)
© Nicholas Sinclair. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SUSCHITZKY, Wolfgang
(1950s)
© Wolfgang Suschitzky/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1978-1979)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WOLEDGE, F.W.
(1838)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Bannau Brycheiniog
INCE, Joseph Murray
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CHOW, Michael
(20th century - (second half))
© Michael Chow/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: MAJOLI Alex
(1986)
© Alex Majoli / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Sketchbook
HEY, Cicely
© Cicely Hey/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
(1896-1900)
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>abstract</p>
SELWAY, John
(1964 ca)
© John Selway/Levi Selway/Amgueddfa Cymru
Amgueddfa Cymru
<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>
SMITH, John "Warwick"
(1785)
Trwy ganiatâd Amgueddfa Cymru

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