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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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[No title]

McBEAN, Angus (Photographer)
[No title]
Delwedd: © Angus Mcbean/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (2)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 28783

Creu/Cynhyrchu

McBEAN, Angus
McBean began his career in the theatre as mask-maker and scenery designer before turning to full-time theatre photography. McBean is renowned for his theatrical and inventive photography of the 1930s and 1940s. Imitated throughout his career, his influence especially in advertising is still prominent today. In 1935 he opened his own studio; and his prominent style was soon being published in glossy magazines. The Surrealist Exhibition in 1936 was an influence on McBean's theatrical portraits. After the Second World War he opened a larger studio in Covent Garden, and in the 1940s and 1950s was inundated with commissions from theatre companies. In the 1960s McBean photographed the Beatles for their first album.
Rôl: Photographer
Cyfnod: 1965

Derbyniad

Gift, 7/3/2007

Mesuriadau

h(cm) image size:20.1
h(cm)
w(cm) image size:25.3
w(cm)

Techneg

Photographic print on card

Deunydd

Paper
Ink

Lleoliad

In store
Mwy

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  • Bywyd Llonydd
  • Celf Gain
  • Ffotograff
  • Gweithiau Ar Bapur
  • Hunan Bortread
  • Nadolig

Rhannu


Mwy fel hyn


Amgueddfa Cymru
<p>Full title: Parkfield route 48. James Dean died in a car crash. It is strange that, Americans, who seem so expert in exploiting anything for monetary gain seem to have missed out on this event. The monument on the spot he died was actually put up by the Japanese.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1950 ca)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EVANS, John
© John Evans/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>© British Library Board</p>
Photographer: GODWIN, Fay
(1983)
Amgueddfa Cymru
<p>Full title: Whitewater. Highway 10 is the direct route into Los Angeles from Arizona and the West. Thousands of huge trucks travel directly along the fault zone for at least 40 miles from Indio to Whitewater. Near Whitewater is Americas most famous truck stop, Wheel Inn Restaurant with the two bizarre giant Dinosaurs gracing its lorry park (closed September 2013).</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1997)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: McCORMICK, Ron
(1976)
© Ron Mccormick/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SALGADO Sebastiao
(1983)
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>
MOODY, Ronald Clive
(1937)
© The Ronald Moody Trust/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David Golden Cockerel Press
(1927)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: PERESS Gilles
(1979)
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1973)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JOYCE, Paul
(1976-1977)
©Paul Joyce/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1921)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: DEWE MATHEWS Chloe
(2017)
© Chloe Dewe Mathews/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: JARCHE James
(Unknown)
Amgueddfa Cymru
[No title]
TURNER, W. McAllister
(20th century)
© W. McAllister Turner/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GILBERT, Sir Alfred
(1928-1931)
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