[No title] | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

NASH, David

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 2560

Creu/Cynhyrchu

b. 1945

Rôl: Artist

Cyfnod: 1993 ca

Derbyniad

Purchase, 19/2/1993

Deunydd

Oak

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: HURN David

(1978)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2013)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

WALTERS, Evan

Amgueddfa Cymru

Photographer: HURN David

(1997)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Fergal Connolly with Donkey Charlie. Fergal is 12, his donkey 15. On average they make £15 a day. He invests his money in buying Calves, so far he has bought two, each for about £190. In 18 months he expects to sell them for £600 each.</p>

Photographer: HURN David

(1984)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>

MOODY, Ronald Clive

(1937)

© The Ronald Moody Trust/Amgueddfa Cymru

Amgueddfa Cymru

LIVENS, Horace Mann

(1914)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

BELLANY, John

Amgueddfa Cymru

<p>Full title: The city of Laughlin, located along the Colorado River in the Mojave Desert, makes a fun destination for gambling enthusiasts. Located in the southernmost tip of Nevada, the bus trip takes about three hours from Phoenix, Arizona. Seniors arranged frequent coach trips for a day out to an inexpensive alternative to Las Vegas. The ultimate prize, a boat to take back to the desert.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

MORSE BROWN, Sam

(1939)

© Sam Morse Brown/Amgueddfa Cymru

Amgueddfa Cymru

ROBERTS, Will

© Will Roberts/Amgueddfa Cymru

Amgueddfa Cymru

Dideitl (o gyfres Lefel Dŵr) 7

Photographer: LEE, Stuart

(2005)

© Stuart Lee/Amgueddfa Cymru

Amgueddfa Cymru

<p>Smash and grab raid on A B David jewellers and Silversmiths. Photographed when I was on my way to my ritual morning coffee. Published as a wrap around cover of the Sunday Mirror.</p>

Photographer: HURN David

(1969)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, the head in the form of an owl, the body simple and oval in form, standing on four squat feet; applied stylised feather forms to the shoulders and around the body, the entire body is pierced with small circular piercings in an asymmetric manner, the head and neck has applied overlapping scale-like feathers, the eyes are pierced.</p>

Production: Woodrow, Sophie

(2014)

© Sophie Woodrow/Amgueddfa Cymru

Amgueddfa Cymru

SOCHACHEWSKY, Maurice

(1937)

© Maurice Sochachewsky/Amgueddfa Cymru

Amgueddfa Cymru

WILLIAMS, Bedwyr

(2015)

© Bedwyr Williams/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1967)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru