[No title] | Gwaith Celf | Celf ar y Cyd

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[No title]

JOHN, Augustus

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 19622

Creu/Cynhyrchu

1878-1961

Rôl: Artist

Derbyniad

Gift, 11/10/1920

Mesuriadau

h(cm) plate size:7.7

h(cm)

w(cm) plate size:6.6

w(cm)

Uchder (cm): 26.5

Lled (cm): 18.4

Techneg

Etching on paper

Etching

Intaglio printing

Prints

Fine Art - works on paper

Deunydd

Ink

Paper

Lleoliad

In store - verified by CT

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>

JOHN, Thomas

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: MAJOLI Alex

(2008)

© Alex Majoli / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BONINGTON, Richard Parkes

(1825)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

WILSON, Richard HASTINGS, Thomas

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1964)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: PIISPANEN Ossi

(2011)

© Ossi Piispanen/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Gwaith ar raddfa sy'n addo golygfa fawreddog. Ond mae'n troi confensiwn y tirlun prydferth ar ei ben drwy guddio'r olygfa tu ôl i das anferth o wair.</p> <p>Tu ôl i'r das mae golygfa eiconig o Gastell Rhaglan. Yma mae'r artist yn cefnu ar y tirlun rhamantaidd ac yn herio ein syniad o gefn gwlad.</p>

SEAR, Helen

(2012)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: MURTHA Tish

(1976)

Amgueddfa Cymru

ROBERTS, Will

(1974)

© Will Roberts/Amgueddfa Cymru

Amgueddfa Cymru

Postyn ffens, Allensworth, California

Photographer: BLACK, Matt

(2015)

© Matt Black / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1958)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1943 ca)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

GWYNNE-JONES, Allan

Amgueddfa Cymru

Photographer: HURN David

(1964)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Poet: MERCHANT, W. Moelwyn HERMAN, Josef CLEAVE, Eric

(1970s-1980s)

© Moelwyn Merchant/Amgueddfa Cymru

Amgueddfa Cymru

EDWARDS, Sydenham T.

Trwy ganiatâd Amgueddfa Cymru