[No title] | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

JONES, Allen (Printer)

Edition Olympia, Germany (Printer)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 23414

Creu/Cynhyrchu

b. 1937

Edition Olympia, Germany

Printers, worked on Sports series, for 1972 Munich Olympics

Rôl: Artist

Rôl: Printer

Cyfnod: 1970

Derbyniad

Gift, 23/3/1972

Mesuriadau

Uchder (cm): 100.8

Lled (cm): 64.2

h(cm) secondary support:112

h(cm)

w(cm) secondary support:64.2

w(cm)

Techneg

Offset lithograph

Lithograph

Planographic printing

Prints

Fine Art - works on paper

Deunydd

Ink

Paper

Sailcloth

Lleoliad

In store - verified by J Carver

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: REAS Paul

(1988)

© Paul Reas/Amgueddfa Cymru

Amgueddfa Cymru

<p>Rhwng 1976 a 1979 daeth y ffotograffydd Paul Joyce ar sawl ymweliad i Gymru gan greu casgliad o brintiadau du a gwyn yn portreadu gwahanol dirweddau’r wlad. Mae’r ffotograff hwn yn dangos tirwedd llechi Blaenau Ffestiniog, ond sut mae’n adrodd stori’r diwydiant yn y 1970au?</p>

Photographer: JOYCE, Paul

(1977)

©Paul Joyce/Amgueddfa Cymru

Amgueddfa Cymru

FAREY, Cyril

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

DE MORGAN, William

(1865)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

AMES, Jeremiah

(1804)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

ELIAS, Ken

(1970-1978)

© Ken Elias/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: REAS Paul

(1993)

© Paul Reas/Amgueddfa Cymru

Amgueddfa Cymru

CRISTALL, Joshua

(1831)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

HUNT, William Henry (after)

(19th century (late))

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

ELWYN, John

(1945)

© Ystâd John Elwyn/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1947)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1973)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Gwaith ar raddfa sy'n addo golygfa fawreddog. Ond mae'n troi confensiwn y tirlun prydferth ar ei ben drwy guddio'r olygfa tu ôl i das anferth o wair.</p> <p>Tu ôl i'r das mae golygfa eiconig o Gastell Rhaglan. Yma mae'r artist yn cefnu ar y tirlun rhamantaidd ac yn herio ein syniad o gefn gwlad.</p>

SEAR, Helen

(2012)