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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

BRITISH SCHOOL, 20th Century
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 10869

Creu/Cynhyrchu

BRITISH SCHOOL, 20th Century
Rôl: Artist

Derbyniad

Bequest, 1996

Mesuriadau

Uchder (cm): 38
Lled (cm): 30.4

Techneg

Black and white photograph
Photograph
Fine Art - works on paper

Deunydd

Black and white photographic print

Lleoliad

In store
Mwy

Tags

  • Celf Gain
  • Cysylltiad Cymreig
  • Dyfrlliw
  • Gweithiau Ar Bapur
  • Ôl 1900

Rhannu

Mwy fel hyn

Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Jug
Production: Newell, Steven
(1999)
Amgueddfa Cymru
<p>Upright cylindrical form, silver-plated and oxidised gilding metal, oval in plan and slightly off vertical, open at the bottom, a hemispherical bowl inset off centre into the flat top, a hole in its bottom extending into an angled silver tube, the outer surface silver-plated, textured all over with scratch marks and oxidised to a dark grey, the bowl covered with palladium leaf and with a mottled surface, the inside surface matt and blackened with Zebrite.</p>
Production: ten Hompel, Simone
(2008)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CRISTALL, Joshua
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GOYA, Francisco Jose de
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
BJORNSEN, Maria
(1975)
Amgueddfa Cymru
[No title]
CHRISTO
(1968)
© Christo/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HERIOT, George
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BARKER, Thomas
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HANCOCK, John
(1916)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
IBBETSON, Julius Caesar
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Pobl ac Ystrad Rhondda
ZOBOLE, Ernest
(1961)
© Manuel Zobole/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
DOBSON, Frank
(1943)
© Frank Dobson/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HURN David
(1986)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: WILSON, Mo
(1989)
© Mo Wilson/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: BARBEY, Bruno
(2016)
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Clear resin or plastic painted on the back with white enamel paint, portrait orientation, laser cut from the back with a series of rounded rectangular forms of varying sizes and depths; the cut sections form a gently sweeping composition.</p>
Production: Horsman, Vaughn
(2013)
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Bachgen Sâl gyda Chath
BOWEN, John
(1953)
© John Bowen/Amgueddfa Cymru

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