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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

MORSE BROWN, Sam

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 534

Creu/Cynhyrchu

MORSE BROWN, Sam

Rôl: Artist

Derbyniad

Gift, 6/7/1939

Techneg

Oil on canvas

Techniques (fine art)

Art dept - fine

Fine Art - painting

Lleoliad

on long term loan out

Caiff Casgliadau Arlein ei ddiweddaru yn rheolaidd, ond gwnewch yn si’r bod eitem yn dal i gael ei arddangos cyn ymweld yn arbennig.

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Di-deitl (Dau Heddwas)

POOLE, George

(1950 ca)

© George Poole/Amgueddfa Cymru

Amgueddfa Cymru

PHILLIPS, Tom

© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

NASH, David

(2000)

© David Nash. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

NEWSOME, Victor

(1997-2003)

Amgueddfa Cymru

Sgwrs Glowyr Fest Ddu

POOLE, George

(1948)

© George Poole/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1979)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Desert Hot Springs. The real estate high value in the area depends on the temperature of the ‘health’ waters that come from the ground on account of the San Andreas Fault. On of the most famous of the Health Spa Resorts is Two Bunch Palma.</p>

Photographer: HURN David

(1991)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

MULLOWNEY, Paul

© Paul Mullowney/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: KEETMAN, Peter

(1961)

© Peter Keetman/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: CARTIER-BRESSON, Henri

(1933)

© Foundation Henri Cartier-Bresson / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>The Wasteland project explores the idea of unadopted spaces in the urban environment with images made in towns and cities across the UK during the late 1970's and early 1980's and was first shown at the John Hansard Gallery Southampton and The Photographers Gallery London.</p> <p>[Source: Ron McCormick]</p>

Photographer: McCORMICK, Ron

(1981)

© Ron Mccormick/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: FRIEDLANDER Lee

(1968)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

LOWE, Ronald

(1965)

© Ronald Lowe/Amgueddfa Cymru

Amgueddfa Cymru

<p>Large platter, red earthenware body with white tin glaze, beaded rim, steep sides and foot ring; hand painted in an abstract style, the background is in dark blue, to the left side is a red and yellow crescent shape from which a light blue form protrudes, above and beneath which are three circles of varying sizes in green, brown and yellow.</p>

Production: HOYLAND, John

(1985)

© Ystâd John Hoyland. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Ffigwr Cerfiedig a Chragen

SMITH, Matthew

(1955)

© ystâd yr artist/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>

FINNEMORE, Peter

(2019)

© Peter Finnemore/Amgueddfa Cymru