Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18 | Gwaith Celf | Celf ar y Cyd

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Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18

SCHNEIDERMANN, Clémentine (Photographer)

Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 25028

Creu/Cynhyrchu

SCHNEIDERMANN, Clémentine

Rôl: Photographer

Cyfnod: 2015

Derbyniad

Gift, 9/9/2020

Mesuriadau

Uchder (cm): 33

Lled (cm): 33

Uchder (in): 13

Lled (in): 13

Techneg

Photographic print

Photograph

Fine Art - works on paper

Deunydd

Photographic print

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Mae gennym ddyletswydd i ddiogelu ein cynulleidfa. Mae'r cofnod gwrthrych hwn yn cynnwys delweddau all beri gofid.

<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>

Photographer: ANONYMOUS

(Unknown)

© unknown/Amgueddfa Cymru - Museum Wales

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

LECKER, E

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HARBUTT Charles

(1972)

© Charles Harbutt/Amgueddfa Cymru

Amgueddfa Cymru

<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>

FINNEMORE, Peter

(2019)

© Peter Finnemore/Amgueddfa Cymru

Amgueddfa Cymru

BRANCHER, Toril

(2002)

© Toril Brancher/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BOURNE, James

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Gwaith ar raddfa sy'n addo golygfa fawreddog. Ond mae'n troi confensiwn y tirlun prydferth ar ei ben drwy guddio'r olygfa tu ôl i das anferth o wair.</p> <p>Tu ôl i'r das mae golygfa eiconig o Gastell Rhaglan. Yma mae'r artist yn cefnu ar y tirlun rhamantaidd ac yn herio ein syniad o gefn gwlad.</p>

SEAR, Helen

(2012)

Amgueddfa Cymru

Photographer: GAUMY Jean

(2015)

© Jean Gaumy / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: SUSCHITZKY, Wolfgang

(1950s)

© Wolfgang Suschitzky/Amgueddfa Cymru

Amgueddfa Cymru

HURN David

(1977)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

INCE, Joseph Murray

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1963)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JONES, David Golden Cockerel Press

(1926)

© Jonah Jones/Amgueddfa Cymru

Amgueddfa Cymru

JONES, David

(1924)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

BRANGWYN, Frank William

© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Yn 2008 daeth Michal Iwanowski, yr artist a aned yng Ngwlad Pwyl ac yn byw yng Nghaerdydd, ar draws graffiti ger ei gartref yn dweud 'Go Home, Polish'. Ddeng mlynedd yn ddiweddarach, yng nghanol cefndir Brexit ac Ewrop ranedig, ymgymerodd â thaith anhygoel dros 1900km ar droed rhwng Cymru a'i bentref genedigol, Mokrzeszów yng Ngwlad Pwyl. Ei nod oedd archwilio a deall y syniad o 'gartref'. Cymerodd y daith 105 diwrnod i'w chwblhau, a thrwy hynny fe bostiodd ddyddiadur o'i brofiadau a'i gyfarfyddiadau ar Instagram.</p>

IWANOWSKI, Michal

(2020)

© Michal Iwanowski/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>View of Pentre, the farm house which Piper rented in the Nant Ffrancon valley during the 1940s.</p>

PIPER, John

(1950)

© Ystâd Piper/DACS 2025/Amgueddfa Cymru