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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

BAXTER, George (Engraver)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 27860

Creu/Cynhyrchu

BAXTER, George
Rôl: Artist
Rôl: Engraver
Cyfnod: 1850

Derbyniad

Gift, 1973

Mesuriadau

h(cm) image size:5.8
h(cm)
w(cm) image size:8.1
w(cm)

Techneg

Baxter print
Colour aquatint
Aquatint
Intaglio printing
Prints
Fine Art - works on paper
Mezzotint on paper
Mezzotint
Intaglio printing
Prints
Fine Art - works on paper

Deunydd

Paper
Ink

Lleoliad

In store
Mwy

Tags

  • Celf Gain
  • Gweithiau Ar Bapur
  • Hela A Physgota
  • Tirwedd

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1936)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1936)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
NICHOLSON, Francis HOARE, Sir Richard Colt
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David Golden Cockerel Press
(1926)
© Jonah Jones/Amgueddfa Cymru
Amgueddfa Cymru
<p>"Till recent years a rather common form of the revelry and thanksgiving which have ever taken place at the ingathering of the harvest was the Kern, though it has now died out everywhere except in a few Northumbrian villages.</p> <p>One of the customs of the festival of Ceres, it had many local variations. It was observed in the northern part of Northumberland at the close of the reaping, not the ingathering. Immediately the sickle was laid down and the last sheaf set on end the men shouted that they had "got the kern". Then a curious image was produced – an image dressed in a white frock with coloured ribbons and crowned with corn ears – stuck on a pole, and held aloft by the strongest man of the party while the rest circled round it. Subsequently it was taken to the barn, set on high, and the merrymakers fell to on the harvest supper."</p> <p>Quoted from Sir Benjamin Stone's Pictures: Records Of National Life And History (Cassell, 1904)</p>
Photographer: STONE Benjamin
(1901)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
VARLEY, John
(1860)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WILSON, Richard (after) WHESSELL, John
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOARE, Peter Richard
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GAINSBOROUGH, Thomas (after) LAPORTE, J
(1819)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WILSON, Richard SHERLOCK, W.P.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2014)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SMITH, John "Warwick"
(1790)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BRANGWYN, Frank William
© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
(1931)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SHORT, Sir Frank TURNER, Joseph Mallord William (after)
(1897)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>
SMITH, John "Warwick"
(1785)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JOYCE, Paul
(1979)
©Paul Joyce/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
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