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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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Amdanom Ni Cysylltwch â ni
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Cup, coffee

Unknown (Engraver)
Brindley, James (Engraver)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Coffee cup, hybrid-paste porcelain with a green tinged translucency; standing on a rounded foot rim, London shape, with a narrow ogee handle; transfer printed in monochrome black with a landscape view of a cottage, a man in a sailboat, and hills and houses in the distance; black lip, and black line inside the lip, black leaf to the handle.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 34245

Creu/Cynhyrchu

Unknown
Brindley, James
see E Morton Nance 'The Pottery and Porcelain of Swansea and Nanatgarw' (London) 1942 p539-40
Rôl: Production
Rôl: Factory
Rôl: Production
Rôl: Engraver
Lle: England
Lle: Staffordshire
Cyfnod: 1810-1830

Derbyniad

Bequest, 10/12/1953

Mesuriadau

Uchder (cm): 7
diam (cm): 7.6
l(cm) handle to lip:8.9
l(cm)
Uchder (in): 2
diam (in): 3
l(in) handle to lip:3 1/2
l(in)

Techneg

Slip-cast
Forming
Applied Art
Turned
Forming
Applied Art
Assembled
Forming
Applied Art
Glazed
Decoration
Applied Art
Transfer-printed
Decoration
Applied Art

Deunydd

Hybrid-paste porcelain
Enamel

Lleoliad

In store
Mwy

Tags


  • Celf Gymhwysol
  • Cerameg
  • Porslen
  • Porslen Lloegr

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Pot
Production: Caiger-Smith, Alan
(1998)
© Alan Caiger-Smith/Amgueddfa Cymru
Amgueddfa Cymru
<p>Figure, soft-paste porcelain, clear glaze, humanoid/anthropomorphic form, standing non four squat legs, the body composed of an amorphous, billowing, flowing mass, the face with pierced eyes and wearing a hat or headdress of a similarly billowing form to the body construction; decorated with pierced lines that follow and highlight the contours of the body, hair and headdress.</p>
Production: Woodrow, Sophie
(2014)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
<p>Jar and cover, stoneware, barrel shaped with a slightly protruding rim that has a flattened edge, flat base, domed cover with a flattened protruding rim and a loop handle on top; decorated with a green glaze, the exterior side of the jar is incised around with groups of vertical lines, the cover is moulded with concentric circles.</p>
Production: Batterham, Richard
(1971 ca)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vase
Production: Blandino, Betty
(1990 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Bohle, Thomas
(2005 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Bohle, Thomas
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Sculpture
Production: Binns, David
(1997)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Sculpture
Production: Binns, David
(2000)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Shallow bowl form, earthenware, in the form of a thick disc with a shalloow depression in the top, hollow and open underneath; painted in slip with concentric rings in tones of white and grey.</p>
Production: Kim, Jin Eui
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Hanna, Ashraf
(2000-2005)
Amgueddfa Cymru
Bill
Production: Nantgarw China Works Billingsley, William
(1819)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Teapot and three bowls
Production: Stair, Julian
(2003)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Vase form, unglazed porcelain, upright hexagonal form, the sides formed of panels with alternating convex and concave profiles, corrugated surface throughout.</p>
Maker: Keith, Varney
(2014)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Sculptural form, glazed porcelain, composed of a large, anatomically correct heart cast from that of a cow, with a complex arrangement of branches rising from the aorta and superior vena cava, symbolising veins, arteries and flames, standing on four short, spiny legs; the entire form is covered in vibrant, flowing glaze, primarily in reds, oranges and yellow on the heart and legs, with areas of white paper porcelain, the branches are primarily yellow.</p>
Production: Dias, Natalia
(2012)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Potter: Bohle, Thomas
(2014)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>A group of 222 small pots, porcelain, each pot cylindrical with a turned base, impressed on the side with grouped or individual rectangular marks, and glazed with one of a palette of 17 different white glazes, the whole designed to be displayed on a vertical series of shelves.</p>
Production: de Waal, Edmund
(2005)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vase
Production: Blandino, Betty
(1990-2000)
Amgueddfa Cymru
Pot
Production: Ward, John
(1997)
© John Ward/Amgueddfa Cymru
Amgueddfa Cymru
<p>Figure, humanoid/anthropomorphic female form, white soft-paste porcelain with a clear glaze, some areas unglazed, hand-modelled and standing on four squat legs, undulating lower body rising to sloping shoulders, the form is overall of a undulating conical shape, simple stylised face with pierced eyes, the arms resting by the sides of the breats and over the stomach with hands overlapping; the figure has applied grog/encrustations applied to the hairline and top of the head, flowing down the body in broad, undulating stripes, unglazed, hand-modelled flowers of varying sizes applied over the body.</p>
Production: Woodrow, Sophie
(2013)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, antelope's head with simple, elongated and rounded body and fout squat feet; draped at the shoulders with two garlands of overlapping leaves, attached over the shoulders and behind the neck with a rope or tie, the eyes are pierced.</p>
Production: Woodrow, Sophie
(2014)
© Sophie Woodrow/Amgueddfa Cymru

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