Cup, coffee | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

Cup, coffee

Unknown (Engraver)

Brindley, James (Engraver)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Coffee cup, hybrid-paste porcelain with a green tinged translucency; standing on a rounded foot rim, London shape, with a narrow ogee handle; transfer printed in monochrome black with a landscape view of a cottage, a man in a sailboat, and hills and houses in the distance; black lip, and black line inside the lip, black leaf to the handle.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 34245

Creu/Cynhyrchu

Brindley, James

see E Morton Nance 'The Pottery and Porcelain of Swansea and Nanatgarw' (London) 1942 p539-40

Rôl: Production

Rôl: Factory

Rôl: Production

Rôl: Engraver

Lle: England

Lle: Staffordshire

Cyfnod: 1810-1830

Derbyniad

Bequest, 10/12/1953

Mesuriadau

Uchder (cm): 7

diam (cm): 7.6

l(cm) handle to lip:8.9

l(cm)

Uchder (in): 2

diam (in): 3

l(in) handle to lip:3 1/2

l(in)

Techneg

Slip-cast

Forming

Applied Art

Turned

Forming

Applied Art

Assembled

Forming

Applied Art

Glazed

Decoration

Applied Art

Transfer-printed

Decoration

Applied Art

Deunydd

Hybrid-paste porcelain

Enamel

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Bowl

Producer: Rie, Lucie

(1980s)

© Ystâd the Ystâd yr artist/Ymddiriedolaeth Derek Williams/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Bowl

Production: Clarke, Norman Stuart

(1984)

Amgueddfa Cymru

Vase

Production: Marinot, Maurice

(1929)

© Maurice Marinot/Amgueddfa Cymru

Amgueddfa Cymru

Designer: SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Tall vase or pot, red earthenware, composed of five bulbous sections wheel thrown and joined one on top of the other; the surface is embellished in a remarkably free, expressionistic manner, with splashes and running streaks of glaze in may colours, predominantley white, yellow, black and brown, with areas of the fired body visible, the artist has vigorously manipulated the top section, which has deep finger gouges around its circumference, the lower two sections are inscribed with letters (inscription TBC), beneath some areas of glaze and on the unglazed areas the surface of the body has been incised with comparatively standardised, geometric decoration.</p>

Production: Carroll, Simon

(2006)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Producer: Casanovas, Claudí

(1989)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Wiinblad, Bjørn Nymølle

(1988 ca)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Sculpture, soft-paste porcelain with clear glaze, comprises a heavily cracked monumental rectangular plinth surmounted by a writhing mass of modelled and collaged organic forms that are both identifiable (human limbs) and ambiguous fragments that resemble folded pieces of skin, flowers and tendrils, bones and sinews, and other natural forms; covered over much of the surface with a clear glaze, with unglazed surfaces also apparent.</p>

Production: Kneebone, Rachel

(2014)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Sculpture, cast glass, in the form of a quadrilateral block with sloping top surface and straight sides sloping in to the flat base, an impression of the artist's face cast into the top surface and reflected in the mirrored base, striations and small air bubbles within the body of the glass.</p>

Production: Romanelli, Bruno

(2005)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Clear resin or plastic painted on the back with white enamel paint, portrait orientation, laser cut from the back with a series of rounded rectangular forms of varying sizes and depths; the cut sections form a gently sweeping composition.</p>

Production: Horsman, Vaughn

(2013)

Amgueddfa Cymru

Vase

Production: Marinot, Maurice

(1930)

© Maurice Marinot/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Ring

Production: Zahn, Helga

(1962)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Day, Lucienne Heal Fabrics

(1953)

Amgueddfa Cymru

Instruction Manual

Production: BERROCAL, Miguel

(1973)

© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Vase

Production: Clarke, Norman Stuart

(1983)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>3D printed form, made from layers of powdered nylon substrate combined with pigmented solvent, white in colour; the two pieces combine to form a three dimensional representation of the letter 'F' in a traditional Germanic typeface.</p>

Production: Ravensbourne Johnson Banks

(2013)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>3D printed form, made from layers of powdered nylon substrate combined with pigmented solvent, white in colour; the object is spiral in form and composed of repitions of the letter B that morphs from the Baskerville typeface to Bodoni typeface, the letter gradually increasing in size from the lower to upper faces of the object.</p>

Production: Ravensbourne Johnson Banks

(2013)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Producer: Godfrey, Ian

(1970s)

Amgueddfa Cymru

Production: Marinot, Maurice

(1930)

© Maurice Marinot/Amgueddfa Cymru

Amgueddfa Cymru

Production: SUTHERLAND, Graham Vivian

(1945-1950)

© Ystâd Graham Sutherland/Amgueddfa Cymru