[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

POCOCK, Nicholas (Publisher)

BIRCH, William (Publisher)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 7035

Creu/Cynhyrchu

POCOCK, Nicholas

1741-1821

Rôl: Artist

Rôl: Printer

Rôl: Publisher

Cyfnod: 01/04/1790

Derbyniad

Found in collection

Mesuriadau

Uchder (cm): 13.5

Lled (cm): 14

Techneg

Stipple engraving on paper

Stipple engraving

Engraving

Intaglio printing

Prints

Fine Art - works on paper

Deunydd

Ink

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

PAYNE, W.

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

CHARLTON, Evan

(1977)

© Ystâd Evan Charlton. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

DRURY, Paul

© Paul Drury/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

(1967)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

HUNT, William Henry (after)

(19th century (late))

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

CRAIG-MARTIN, Michael Coriander Studios

(2011)

©International Olympic Committee (IOC) - Cedwir Pob Hawl/Michael Craig-Martin/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1968)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>

FINNEMORE, Peter

(2019)

© Peter Finnemore/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Publisher: Curwen Press GENTLEMAN, David

(20th century - (second half))

Amgueddfa Cymru

LINDSAY, Thomas

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1975)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

<p>Un llun yw hwn o grŵp o bortreadau a gomisiynwyd gan y diwydiannwr Francis Crawshay yn y 1830au. Mae pob un o’r gweithwyr – dynion i gyd – yn grefftwyr a gwŷr di-grefft o weithfeydd dur Hirwaun a gweithfeydd tunplat Trefforest. Peth anghyffredin oedd i un o gewri diwydiant gomisiynu portreadau unigol o’i weithwyr, ond nid diwydiannwr cyffredin oedd Francis Crawshay. Adeiladodd fwthyn bychan i’w hun yn hytrach na byw ym mhlasty’r teulu, a doedd dim diddordeb ganddo yn arferion busnes y Crawshays: cwynai ei dad ei fod yn gwario arian fel y dŵr. Ef oedd unig siaradwr Cymraeg y teulu, a byddai’n fwy tebygol i chi ei weld yn rhannu sgwrs gyda’i weithwyr nag yn eu gorchymyn. Enw hoffus y gweithwyr amdano oedd ‘Mr Frank’. Ddechrau’r 1830au cymerodd Francis yr awennau yng Gweithfeydd Dur Hirwaun, a brynwyd gan ei dad ym 1819, a’r gweithfeydd tunplat newydd yn Nhrefforest. Comisiynwyd portreadau’r gweithwyr oddeutu 1835, ac maent wedi’u priodoli i’r artist teithiol W J Chapman. Arhosodd y set ym meddiant y teulu Crawshay drwy ewyllys, ac mae’n bosib bod mwy yn wreiddiol – mae cofnod o un arall sydd bellach ar goll i bob tebyg.</p>

CHAPMAN, W. J. (attributed to)

(1835-1840)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

BOMBERG, David

© Ystâd David Bomberg. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: UZZLE Burk

(Unknown)

© Burk Uzzle/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1977)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1973-1974)

© Ystâd Graham Sutherland/Amgueddfa Cymru