Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis
Gosodiadau

Gosodiadau Cwcis

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

 

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

 

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

 
 
Gweld ein Polisi Cwcis
×

Image filter options
Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

IRELAND, S. (Publisher)
Unknown (Publisher)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 28522

Creu/Cynhyrchu

IRELAND, S.
Unknown
Rôl: Artist
Rôl: Publisher
Cyfnod: 1797

Derbyniad

Purchase, 15/12/1932

Mesuriadau

h(cm) image size:11.6
h(cm)
w(cm) image size:16.2
w(cm)
h(cm) primary support:24
h(cm)
w(cm) primary support:30.3
w(cm)

Techneg

Coloured etching and aquatint on paper

Deunydd

Paper
Ink

Lleoliad

In store
Mwy

Tags

  • Celf Gain
  • Gweithiau Ar Bapur
  • Printiau
  • Printiau Topograffig

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
CLAUDE Gellée, Le Lorrain EARLOM, R Boydell, John
(1774)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ROUAULT, Georges lL'Éoile Filante, Paris Aulard, Paris
(1922-1928)
© ADAGP, Paris a DACS, London 224/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ROUAULT, Georges lL'Éoile Filante, Paris Aulard, Paris
(1922-1928)
© ADAGP, Paris a DACS, London 224/Amgueddfa Cymru
Amgueddfa Cymru
<p>abstract</p>
RICHARDS, Ceri
(1959)
© Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
KRAGULY, Radovan
(1965)
© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
KRAGULY, Radovan
(1965)
© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HEDEGAARD, Peter
(1969)
© Peter Hedegaard/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
INNES, James Dickson
(1912)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1966)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>
SMITH, John "Warwick"
(1785)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
TASKER, Gwenn
(2009)
Amgueddfa Cymru
<p>Full title: Isle of Wight Festival. Girls with the bouffant hairstyle popular at the time. It was a mainstream hairstyle in the mid-to-late 18th century in western Europe. It was thought to be created for Marie Antoinette, as she had relatively thin hair and wanted to create the illusion of having very full hair.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Palm Springs. A retreat for the famous and wealthy. Right on the San Andreas Fault. Among the two million people who visit each year to soak up the sun are college students at ‘Spring Break’. A favourite pastime is ‘cruising’ - driving up and down the main street or showing off on the sidewalk.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Engraver: GAUJEAN, Eugéne BURNE-JONES, Sir Edward, (after)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
COLLISHAW, Mat
(2008)
Amgueddfa Cymru
[No title]
WOODS, Clare
(2016)
© Clare Woods/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
RENOIR, Pierre-Auguste
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ALGEGRAVER, Heinrich
(1900 ca)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
WHEATLEY, John

  • Gweithiau Celf
  • Themâu
  • Projectau ac Arddangosfeydd
  • Erthyglau Cynfas
  • Dysgu

Y Wefan

  • Amdanom Ni
  • Mynediad
  • Cwestiynau cyffredin
  • Hawlfraint
  • Cwcis

CYSYLLTWCH Â Ni

  • Cysylltwch â ni
  • Instagram @celfarycyd
× ❮ ❯