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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

Glynn Vivian Art Gallery, Swansea
TINKER, David
FAIRLEY, George
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 23710

Creu/Cynhyrchu

Glynn Vivian Art Gallery, Swansea
TINKER, David
1924-2000 David Tinker was born in Charlton, south London, trained at Winchester and Bath Colleges of Art then in 1946, after four years in the Navy during the war, at the Slade School of Art. He first came to Wales in 1949 to take up a Lectureship in Sculpture at Cardiff College of Art. Tinker was a founder member of the 56 Group, a co-operative association formed by young exhibiting artists in Wales who were both advocates of modernism and allied to the international avant garde. Tinker moved to Aberystwyth to teach at the University of Wales in 1962. He was promoted to Director of the Visual Art Department (now the School of Art) in 1973, a position he held until his retirement in 1986.
FAIRLEY, George
1920-2003
Rôl: Publisher
Rôl: Artist
Rôl: Artist
Cyfnod: 1962

Derbyniad

Gift, 15/12/1972

Mesuriadau

Uchder (cm): 55.8
Lled (cm): 39
h(cm) secondary support:66.6
h(cm)
w(cm) secondary support:39
w(cm)

Techneg

Screen-printed
Decoration
Applied Art

Deunydd

Ink
Paper

Lleoliad

In store - verified by J Carver
Mwy

Tags


  • Artistiaid Y 21Ain Ganrif
  • Celf Gain
  • Cysylltiad Cymreig
  • Grŵp 56
  • Gweithiau Ar Bapur
  • Haniaethol
  • Poster
  • Poster Am Arddangosfa Celf
  • Printiau

Rhannu


Mwy fel hyn


Amgueddfa Cymru
It’s Called Ffasiwn (Look It Up), Merthyr Tudful
Photographer: SCHNEIDERMANN, Clémentine & JAMES, Charlotte
(2016)
SCHNEIDERMANN, Clémentine
© Clémentine Schneidermann and Charlotte James/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SINCLAIR, Nicholas
(1987-2003)
© Nicholas Sinclair. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JONES GRIFFITHS, Philip
(1968)
© Philip Jones Griffiths / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JOYCE, Paul
(1974)
©Paul Joyce/Amgueddfa Cymru
Amgueddfa Cymru
<p>Penddelw prin yw hwn gan y cerflunydd o Gymru William Goscombe John. Roedd Bokani yn un o chwe pygmi o'r Congo a gludwyd i Ewrop ym 1905. Roedd y grŵp yn destun chwilfrydedd mawr pan gawsant eu dangos i'r cyhoedd mewn neuaddau gorlawn mewn trefi a dinasoedd ledeld y DU, gan gynnwys Cymru. Er eu bod yn ymddangos yn bennaf mewn newuaddau cyngerdd, cawsant eu dangos hefyd ym Mhalas Buckingham, a hyd yn oed mewn sŵ. Mae penddelw Bokani a gweithiau eraill wedi bod yn rhan o ymyriad gan broject Treftadaeth Ifanc Tynnu'r Llwch. Wedi cyfres o weithdai, roedd y cyfrannwyr yn teimlo bod y bobl yn y gweithiau yma, fel Bokani, yn cael eu gweld fel gwrthrychau oedd yn yn cael sylw oherwydd eu cyswllt â'r Ymerodraeth, trefedigaethu neu William Goscombe John yn unig. Roedden nhw am amlygur unigolion yn y gweithiau drwy eu straeon a'i profiadau.</p>
JOHN, Sir William Goscombe
(1905)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
REMBRANDT, Harmensz van Rijn
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WEATHERILL, George
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ROUAULT, Georges lL'Éoile Filante, Paris Aulard, Paris
(1927)
© ADAGP, Paris a DACS, London 224/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
SHORT, Sir Frank TURNER, Joseph Mallord William (after)
(1896)
Amgueddfa Cymru
[No title]
WILSON, Richard HODGETTS, T
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ILLINGWORTH, Leslie
© Leslie Illingworth/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BLISS, Douglas Percy
© Douglas Bliss/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JONES GRIFFITHS, Philip
(1961)
© Philip Jones Griffiths / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HARRIS, George Frederick
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GRIFFITH, Moses WILSON, W.C.
(1792)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MITCHELL, Bernard
(2000)
©Bernard Mitchell/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ROUAULT, Georges lL'Éoile Filante, Paris Aulard, Paris
(1927)
© ADAGP, Paris a DACS, London 224/Amgueddfa Cymru
Amgueddfa Cymru
<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>
SMITH, John "Warwick"
(1785)
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