Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis
Gosodiadau

Gosodiadau Cwcis

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

 

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

 

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

 
 
Gweld ein Polisi Cwcis
×

Image filter options
Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

Sketchbook

SUTHERLAND, Graham Vivian
Sketchbook
Delwedd: © Nicola Howard-Jones/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (90)

Sketches include: Christ seated (Coventry Tapestry designs); Christ crucified; Thorn Tree (possible); decorative archways; statues on plinths.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 29507

Historical Associations

Associated Person/Body: Graham Sutherland Gallery (Picton Castle)
Association Type: Provenance

Creu/Cynhyrchu

SUTHERLAND, Graham Vivian
1903-1980
Rôl: Artist

Derbyniad

Transfer, 20/10/1989

Mesuriadau

Uchder (cm): 20.4
Lled (cm): 13.4
Dyfnder (cm): 1.1

Techneg

Mixed media on paper
Drawings and watercolours
Fine Art - works on paper

Deunydd

Paper
Coloured pencils
Graphite
Ink

Lleoliad

In store
Mwy

Tags


  • Celf Gain
  • Gweithiau Ar Bapur
  • Llyfr Brasluniau

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
THOMAS, Thomas Henry
(1874)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
THOMAS, Thomas Henry
(1874)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HERMAN, Josef
© Ystâd Josef Herman/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WYNTER, Bryan
(1964)
© Ystâd Bryan Wynter. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>abstract, green moulded piece</p>
SETCH, Terry
(1977)
© Terry Setch/Amgueddfa Cymru
Amgueddfa Cymru
<p>abstract, green moulded piece</p>
SETCH, Terry
(1977)
© Terry Setch/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CHAMBERLAIN, Brenda
(1965)
© Brenda Chamberlain/Amgueddfa Cymru/Reuven Jasser
Amgueddfa Cymru
[No title]
WILLIAMS, Christopher
(1916)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WILLIAMS, Christopher
(1916)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CHAMBERLAIN, Brenda
(1966)
© Brenda Chamberlain/Amgueddfa Cymru/Reuven Jasser
Amgueddfa Cymru
[No title]
SELWAY, John
(1970)
© John Selway/Levi Selway/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HURN David
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HUME, Gary Coriander Studios
(2011)
©International Olympic Committee (IOC) - Cedwir Pob Hawl/Gary Hume/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WOODS, Clare
(2016)
© Clare Woods/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Sir William Goscombe
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
James Dickson Innes
JOHN, Augustus
(1912 ca)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>
SMITH, John "Warwick"
(1785)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PIPER, John
(1954)
© Ystâd Piper/DACS 2025/Amgueddfa Cymru

  • Gweithiau Celf
  • Themâu
  • Projectau ac Arddangosfeydd
  • Erthyglau Cynfas
  • Dysgu

Y Wefan

  • Amdanom Ni
  • Mynediad
  • Cwestiynau cyffredin
  • Hawlfraint
  • Cwcis

CYSYLLTWCH Â Ni

  • Cysylltwch â ni
  • Instagram @celfarycyd
× ❮ ❯